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Tragic Hero

Tragic Hero Definition

What is a tragic hero? Here’s a quick and simple definition:

A tragic hero is a type of character in a tragedy , and is usually the protagonist . Tragic heroes typically have heroic traits that earn them the sympathy of the audience, but also have flaws or make mistakes that ultimately lead to their own downfall. In Shakespeare's Romeo and Juliet , Romeo is a tragic hero. His reckless passion in love, which makes him a compelling character, also leads directly to the tragedy of his death.

Some additional key details about tragic heroes:

• The idea of the tragic hero was first defined by the ancient Greek philosopher Aristotle based on his study of Greek drama.
• Despite the term "tragic hero," it's sometimes the case that tragic heroes are not really heroes at all in the typical sense—and in a few cases, antagonists may even be described as tragic heroes.

Tragic Hero Pronunciation

Here's how to pronounce tragic hero: tra -jik hee -roh

The Evolution of the Tragic Hero

Tragic heroes are the key ingredient that make tragedies, well, tragic. That said, the idea of the characteristics that make a tragic hero have changed over time.

Aristotle and the Tragic Hero

The ancient Greek philosopher Aristotle was the first to define a "tragic hero." He believed that a good tragedy must evoke feelings of fear and pity in the audience, since he saw these two emotions as being fundamental to the experience of catharsis (the process of releasing strong or pent-up emotions through art). As Aristotle puts it, when the tragic hero meets his demise, "pity is aroused by unmerited misfortune, fear by the misfortune of a man like ourselves."

Aristotle strictly defined the characteristics that a tragic hero must have in order to evoke these feelings in an audience. According to Aristotle, a tragic hero must:

• Be virtuous: In Aristotle's time, this meant that the character should be a noble. It also meant that the character should be both capable and powerful (i.e. "heroic"), and also feel responsible to the rules of honor and morality that guided Greek culture. These traits make the hero attractive and compelling, and gain the audience's sympathy.
• Be flawed: While being heroic, the character must also have a tragic flaw (also called hamartia ) or more generally be subject to human error, and the flaw must lead to the character's downfall. On the one hand, these flaws make the character "relatable," someone with whom the audience can identify. Just as important, the tragic flaw makes the tragedy more powerful because it means that the source of the tragedy is internal to the character, not merely some outside force. In the most successful tragedies, the tragic hero's flaw is not just a characteristic they have in addition to their heroic qualities, but one that emerges from their heroic qualities—for instance, a righteous quest for justice or truth that leads to terrible conclusions, or hubris (the arrogance that often accompanies greatness). In such cases, it is as if the character is fated to destruction by his or her own nature.
• Suffer a reversal of fortune: The character should suffer a terrible reversal of fortune, from good to bad. Such a reversal does not merely mean a loss of money or status. It means that the work should end with the character dead or in immense suffering, and to a degree that outweighs what it seems like the character deserved.

To sum up: Aristotle defined a tragic hero rather strictly as a man of noble birth with heroic qualities whose fortunes change due to a tragic flaw or mistake (often emerging from the character's own heroic qualities) that ultimately brings about the tragic hero's terrible, excessive downfall.

The Modern Tragic Hero

Over time, the definition of a tragic hero has relaxed considerably. It can now include

• Characters of all genders and class backgrounds. Tragic heroes no longer have to be only nobles, or only men.
• Characters who don't fit the conventional definition of a hero. This might mean that a tragic hero could be regular person who lacks typical heroic qualities, or perhaps even a villainous or or semi-villainous person.

Nevertheless, the essence of a tragic hero in modern times maintains two key aspects from Aristotle's day:

• The tragic hero must have the sympathy of the audience.
• The tragic hero must, despite their best efforts or intentions, come to ruin because of some tragic flaw in their own character.

Tragic Hero, Antihero, and Byronic Hero

There are two terms that are often confused with tragic hero: antihero and Byronic hero.

• Antihero : An antihero is a protagonist who lacks many of the conventional qualities associated with heroes, such as courage, honesty, and integrity, but still has the audience's sympathy. An antihero may do the right thing for the wrong reason. Clint Eastwood's character in the western film, The Good, the Bad, and the Ugly , is fundamentally selfish. He digs up graves to look for gold and kills anyone who gets in his way, so he's definitely a bad guy. But as an antihero, he's not completely rotten: he also shows a little sympathy for dying soldiers in the bloody war going on around him, and at the end of the film he acts mercifully in choosing not to kill a man who previously tried to kill him. He does a few good things, but only as long as it suits him—so he's a classic antihero.
• Byronic hero : A Byronic hero is a variant of the antihero. Named after the characters in the poetry of Lord Byron, the Byronic hero is usually a man who is an intelligent, emotionally sensitive, introspective, and cynical character. While Byronic heroes tend to be very charismatic, they're deeply flawed individuals, who might do things that are generally thought of as socially unacceptable because they are at odds with mainstream society. A Byronic hero has his own set of beliefs and will not yield for anyone. While it might not be initially apparent, deep down, the Byronic hero is also quite selfish.

According to the modern conception of a tragic hero, both an antihero and a Byronic hero could also be tragic heroes. But in order for a tragic hero to exist, he or she has to be part of a tragedy with a story that ends in death or ruin. Antiheroes and Byronic heroes can exist in all sorts of different genres, however, not just tragedies. An antihero in an action movie—for instance Deadpool, in the first Deadpool movie—is not a tragic hero because his story ends generally happily. But you could argue that Macbeth is a kind of antihero (or at least an initial hero who over time becomes an antihero), and he is very definitely also a tragic hero.

Tragic Hero Examples

Tragic heroes in drama.

The tragic hero originated in ancient Greek theater, and can still be seen in contemporary tragedies. Even though the definition has expanded since Aristotle first defined the archetype, the tragic hero's defining characteristics have remained—for example, eliciting sympathy from the audience, and bringing about their own downfall.

Oedipus as Tragic Hero in Oedipus Rex

The most common tragic flaw (or hamartia ) for a tragic hero to have is hubris , or excessive pride and self-confidence. Sophocles' tragic play Oedipus Rex contains what is perhaps the most well-known example of Aristotle's definition of the tragic hero—and it's also a good example of hubris. The play centers around King Oedipus, who seeks to rid the city he leads of a terrible plague. At the start of the play, Oedipus is told by a prophet that the only way to banish the plague is to punish the man who killed the previous king, Laius. But the same prophet also reports that Oedipus has murdered his own father and married his mother. Oedipus refuses to believe the second half of the prophecy—the part pertaining to him—but nonetheless sets out to find and punish Laius's murderer. Eventually, Oedipus discovers that Laius had been his father, and that he had, in fact, unwittingly killed him years earlier, and that the fateful event had led directly to him marrying his own mother. Consequently, Oedipus learns that he himself is the cause of the plague, and upon realizing all this he gouges his eyes out in misery (his wife/mother also kills herself).

Oedipus has all the important features of a classical tragic hero. Throughout the drama, he tries to do what is right and just, but because of his tragic flaw (hubris) he believes he can avoid the fate given to him by the prophet, and as a result he brings about his own downfall.

Willy Loman as Tragic Hero in Death of a Salesman

Arthur Miller wrote his play Death of a Salesman with the intent of creating a tragedy about a man who was not a noble or powerful man, but rather a regular working person, a salesman.

The protagonist of Death of a Salesman, Willy Loman, desperately tries to provide for his family and maintain his pride. Willy has high expectations for himself and for his children. He wants the American Dream, which for him means financial prosperity, happiness, and good social standing. Yet as he ages he finds himself having to struggle to hold onto the traveling salesman job at the company to which he has devoted himself for decades. Meanwhile, the prospects for his sons, Biff and Happy, who seemed in high school to have held such promise, have similarly fizzled. Willy cannot let go of his idea of the American Dream nor his connected belief that he must as an American man be a good provider for his family. Ultimately, this leads him to see himself as more valuable dead than alive, and he commits suicide so his family can get the insurance money.

Willy is a modern tragic hero. He's a good person who means well, but he's also deeply flawed, and his obsession with a certain idea of success, as well as his determination to provide for his family, ultimately lead to his tragic death.

Tragic Heroes in Literature

Tragic heroes appear all over important literary works. With time, Aristotle's strict definition for what makes a tragic hero has changed, but the tragic hero's fundamental ability to elicit sympathy from an audience has remained.

Jay Gatsby as Tragic Hero in The Great Gatsby

The protagonist of F. Scott Fitzgerald's The Great Gatsby , is Jay Gatsby, a young and mysterious millionaire who longs to reunite with a woman whom he loved when he was a young man before leaving to fight in World War I. This woman, Daisy, is married, however, to a man named Tom Buchanan from a wealthy old money family. Gatsby organizes his entire life around regaining Daisy: he makes himself rich (through dubious means), he rents a house directly across a bay from hers, he throws lavish parties in the hopes that she will come. The two finally meet again and do begin an affair, but the affair ends in disaster—with Gatsby taking responsibility for driving a car that Daisy was in fact driving when she accidentally hit and killed Tom's mistress (named Myrtle), Daisy abandoning Gatsby and returning to Tom, and Gatsby getting killed by Myrtle's husband.

Gatsby's downfall is his unrelenting pursuit of a certain ideal—the American Dream—and a specific woman who he thinks fits within this dream. His blind determination makes him unable to see both that Daisy doesn't fit the ideal and that the ideal itself is unachievable. As a result he endangers himself to protect someone who likely wouldn't do the same in return. Gatsby is not a conventional hero (it's strongly implied that he made his money through gambling and other underworld activities), but for the most part his intentions are noble: he seeks love and self-fulfillment, and he doesn't intend to hurt anyone. So, Gatsby would be a modernized version of Aristotle's tragic hero—he still elicits the audience's sympathy—even if he is a slightly more flawed version of the archetype.

Javert as Tragic Hero in Victor Hugo's Les Misérables

Javert is a police detective, obsessed with law and order, and Les Misérables' primary antagonist. The novel contains various subplots but for the most part follows a character named Jean Valjean, a good and moral person who cannot escape his past as an ex-convict. (He originally goes to prison for stealing a loaf of bread to help feed his sister's seven children.) After Valjean escapes from prison, he changes his name and ends up leading a moral and prosperous life, becoming well-known for the ways in which he helps the poor.

Javert, known for his absolute respect for authority and the law, spends many years trying to find the escaped convict and return him to prison. After Javert's lifelong pursuit leads him to Valjean, though, Valjean ends up saving Javert's life. Javert, in turn, finds himself unable to arrest the man who showed him such mercy, but also cannot give up his devotion to justice and the law. In despair, he commits suicide. In other words: Javert's strength and righteous morality lead him to his destruction.

While Javert fits the model of a tragic hero in many ways, he's an unconventional tragic hero because he's an antagonist rather than the protagonist of the novel (Valjean is the protagonist). One might then argue that Javert is a "tragic figure" or "tragic character" rather than a "tragic hero" because he's not actually the "hero" of the novel at all. He's a useful example, though, because he shows just how flexible the idea of a "tragic hero" can be, and how writers play with those ideas to create new sorts of characters.

Additional Examples of Tragic Heroes

• Macbeth: In Shakespeare's Macbeth , the main character Macbeth allows his (and his wife's) ambition to push him to murder his king in order to fulfill a prophecy and become king himself. Macbeth commits his murder early in the play, and from then on his actions become bloodier and bloodier, and he becomes more a villain than a hero. Nonetheless, he ends in death, with his wife also dead, and fully realizing the emptiness of his life. Macbeth is a tragic hero, but the play is interesting in that his fatal flaw or mistake occurs relatively early in the play, and the rest of the play shows his decline into tragedy even as he initially seems to get what he seeks (the throne).
• Michael Corleone: The main character of the Godfather films, Michael Corleone can be said to experience a tragic arc over the course of the three Godfather movies. Ambition and family loyalty push him to take over his mafia family when he had originally been molded by his father to instead "go clean." Michael's devotion to his family then leads him to murder his enemies, kills his betraying brother, and indirectly leads to the deaths of essentially all of his loved ones. He dies, alone, thinking of his lost loves , a tragic antihero.
• Okonkwo: In Chinua Achebe's Things Fall Apart , Okonkwo is a man of great strength and will, and these heroic traits make him powerful and wealthy in his tribe. But his devotion to always appearing strong and powerful also lead him to alienate his son, break tribal tradition in a way that leads to his exile from the tribe, and to directly confront white missionaries in a way that ultimately leads him to commit suicide. Okonkwo's devotion to strength and power leads to his own destruction.
• Anakin Skywalker: The three prequel Star Wars movies (episodes I, II, and III) can be seen as an attempt to frame Anakin Skywalker into a tragic hero. Anakin is both powerful in the force and a prophesied "chosen one," but his ambition and desire for order and control lead him to abandon and kill fellow Jedi, inadvertently kill his own wife, and to join the dark side of the force and become a kind of enforcer for the Emperor. Anakin, as Darth Vader, is alone and full of such shame and self-hatred that he can see no other option but to continue on his path of evil. This makes him a tragic hero. Having said all that, some would argue that the first three Star Wars movies aren't well written or well acted enough to truly make Anakin a tragic hero (does Anakin really ever have the audience's sympathy given his bratty whininess?), but it's clear that he was meant to be a tragic hero.

What's the Function of a Tragic Hero in Literature?

Above all, tragic heroes put the tragedy in tragedies—it is the tragic hero's downfall that emotionally engages the audience or reader and invokes their pity and fear. Writers therefore use tragic heroes for many of the same reasons they write tragedies—to illustrate a moral conundrum with depth, emotion, and complexity.

Besides this, tragic heroes serve many functions in the stories in which they appear. Their tragic flaws make them more relatable to an audience, especially as compared to a more conventional hero, who might appear too perfect to actually resemble real people or draw an emotional response from the audience. Aristotle believed that by watching a tragic hero's downfall, an audience would become wiser when making choices in their own lives. Furthermore, tragic heroes can illustrate moral ambiguity, since a seemingly desirable trait (such as innocence or ambition) can suddenly become a character's greatest weakness, bringing about grave misfortune or even death.

Other Helpful Tragic Hero Resources

• The Wikipedia Page for Tragic Hero : A helpful overview that mostly focuses on the history of term.
• The Dictionary Definition of Tragic Hero : A brief and basic definition.
• A one-minute, animated explanation of the tragic hero.
• Is Macbeth a Tragic Hero? This video explains what a tragic hero is, using Macbeth as an example .

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Tragic Hero

Definition of tragic hero, familiar or well-known examples of tragic hero, classic examples of tragic hero in shakespeare, modern examples of tragic hero in fiction, difference between tragic hero and anti-hero, writing tragic hero, examples of tragic hero in literature, example 1: hester prynne ( the scarlet letter by nathaniel hawthorne).

She had wandered, without rule or guidance, into a moral wilderness … Her intellect and heart had their home, as it were, in desert places, where she roamed as freely as the wild Indian in his woods… The scarlet letter was her passport into regions where other women dared not tread. Shame, Despair, Solitude! These had been her teachers—stern and wild ones—and they had made her strong, but taught her much amiss.

Example 2: Victor Frankenstein ( Frankenstein by Mary Shelley)

It was the secrets of heaven and earth that I desired to learn; and whether it was the outward substance of things or the inner spirit of nature and the mysterious soul of man that occupied me, still my inquiries were directed to the metaphysical , or in its highest sense, the physical secrets of the world.

Example 3: Othello ( Othello by William Shakespeare)

When you shall these unlucky deeds relate, Speak of me as I am . Nothing extenuate, Nor set down aught in malice. Then must you speak Of one that loved not wisely, but too well. Of one not easily jealous, but being wrought, Perplexed in the extreme. Of one whose hand, Like the base Indian, threw a pearl away Richer than all his tribe

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The Tragic Hero in Shakespeare's Romeo and Juliet

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Published: Jun 13, 2024

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The tragic hero defined, romeo's tragic flaw: impulsiveness, romeo's noble qualities, the consequences of romeo's choices, the tragic hero's journey.

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17 Tragic Hero Examples to Study

Literature shows many tragic hero examples that are great to study. Here are 17 of them.

A tragic hero is a type of character in literature characterized by heroic or noble traits. However, the tragic hero eventually falls victim to a personal tragic or fatal flaw, and that flaw causes the character’s death or loss of position. The tragic hero often appears in stories that reflect the hero’s journey, for example, Breaking Bad or The Sopranos .

What Is The Tragic Hero?

2. jay gatsby, 3. romeo montague, 4. creon and antigone, 6. peter pan, 8. anakin skywalker, 9. severus snape, 10. othello, 11. ned stark, 12. scarlett o’hara, 13. hester prynne, 14. victor frankenstein, 15. dr. gregory house, 16. the tree in the giving tree, 17. elphaba.

The Greek philosopher Aristotle defined the concept of the tragic hero in Poetics, and he used five terms to describe this type of character. These are:

1. Anagnorisis: The moment of realization a character experiences.

2. Catharsis: The feelings of fear or pity a tragedy brings to the audience.

3. Hamartia: The fatal flaw.

4. Hubris: Excessive pride or arrogance

5. Peripeteia: A reversal of fortune, usually a downward turn

To fit the tragic hero model, a character archetype must:

• Be of noble or high birth or hold a position of leadership, e.g. a prince or princess
• Have heroic actions or motives, e.g. to save the kingdom
• Have a tragic flaw, e.g. thirst for power
• Suffer a downfall or death due to their tragic flaw e.g. the downfall of Walter White in Breaking Bad

To understand this character’s role in literature, looking at tragic hero examples can help. Here are some examples worth studying.

In the Greek play Oedipus Rex by Aristotle, the title character is, in fact, a tragic hero. In the play, Oedipus suffers from one of the most common tragic flaws the condition of hubris. It is this pride that draws King Oedipus down a fatal path.

Oedipus sets out to rid the kingdom of a terrible plague. A prophecy tells him he can do so if he punishes the man who killed the previous king. Unbeknownst to him, the previous king, Laius, was someone he had unknowingly killed many years earlier. He punishes himself by gouging out his own eyes, which ends the plague but shows his tragic ending.

In F. Scott Fitzgerald’s The Great Gatsby, Jay Gatsby is a young millionaire who wants to find Daisy, a woman he loves before going off to war. Sadly, he finds that she is married, and the tale tells how he works to fashion his life so that he will regain the lass. This unrequited love causes the reader to pity Gatsby, yet it takes him down a tragic path.

Gatsby’s tragic flaw is his unbridled desire to reach the American Dream, including great wealth and a specific woman. His pursuit of these things causes him to put himself and his love interest in danger. It eventually leads to his death.

In William Shakespeare’s play Romeo and Juliet, Romeo Montague, the male protagonist, is an excellent example of a tragic hero. Romeo comes from a noble birth and has the tragic flaw of being impulsive and having a fair share of hubris. His fast decisions lead him to marry Juliet after meeting her 24 hours earlier. Eventually, it leads to his death and the death of his love.

Everyone can feel compassion for the star-crossed lovers and how their warring families pull them apart, which adds to the fact that he is a tragic hero. The story arouses fear and empathy, which adds to the classic tragic hero paradigm.

Antigone , another Aristotelian Greek tragedy, has a tragic hero in Creon. He became ruler of Thebes after Oedipus’s sons died in the war, and Creon took the throne. Antigone, the title character, is Oedipus’s daughter, and she tries to bury her brother against the wishes of Creon.

Antigone’s fatal flaw is not a character flaw but rather her fierce dedication to her family. Defying Creon’s orders that her brother not be buried with honor, leading to her martyrdom. Creon is also a tragic hero because he loses his extended family and his son due to his excessive pride.

Hamlet shows the characteristics of a tragic hero because of his royal birth and charming personality. His tragic flaw is his deep emotions and his inability to take quick action. He also struggles with too much introspection, as shown in his many soliloquies. As the story progresses and he dives deeper into insanity, this introspective nature eventually leads to his demise.

Because the play Hamlet is a Shakespearean tragedy, these character flaws send Hamlet to a sad ending. Not only does Hamlet himself die, but those closest to him also die, often at his own hand as he falls into the depths of insanity.

Not all tragic heroes come from plays and literature you study in high school. You can also find some in children’s literature, and Peter Pan is one example of this. While he is not a “king,” he is the leader of the lost boys, which gives the royalty aspect of the tragic hero to this boy. His tragic flaw is his forgetfulness and his cruelty.

What is the tragedy in Peter Pan? When the other Lost Boys decide to go home with Wendy and grow up, Peter does not. He ends up on the island without his friends or Wendy and her brothers.

Macbeth, the Thane of Glamis, is yet another Shakespearean tragic hero. He starts off with someone the audience feels an affinity for, especially when he has the three witches provide the prophecies to him. Yet his ambition, his fatal flaw, pushes him toward murder before the prophecies have a chance to come true.

In the end, his ambition makes him a murderer. While he becomes king of Scotland as a result, his continued violence costs him the throne when his enemy, Mcduff, ends his life.

In the Star Wars universe, Anakin Skywalker is a classic tragic hero. His potential is clear when he is introduced to the world as a young boy in the prequels. The force is strong with the boy, and he has a great mentor ready to teach him to use it well.

Yet the Dark Side is out to get the boy and his power, too. Eventually, he gives in to the Dark Side and suffers a tragic accident that transforms him into Darth Vadar, one of the most feared villains in movie history. This transformation eventually costs him his relationship with his children and his life. He is a hero, not just a villain, because he sacrifices himself , in the end, to save his son Luke from the fatal actions of Emperor Palpatine.

Harry Potter himself is the hero of the Harry Potter series by J. K. Rowling, but another unexpected hero emerges throughout the tales. Severus Snape appears to be Harry’s enemy at the start of the story, but he eventually shows a good side. His leadership role in the school helps him fit the definition of a tragic hero, and his heroic actions towards the end of the series show that he is, in fact, a hero.

Severus Snape is particularly effective in this role because he appears so antagonistic toward the main character. He doesn’t particularly like Harry, but he loves Harry’s mother and promises to protect the boy. It was his love for Lily Potter that served as his tragic flaw. Thus, his actions, though they seem cruel at first, were all to protect young Harry. In the end, he dies at the hands of Lord Voldemort, allowing Harry to come out victorious.

Othello, the title character from the Shakespearean play of the same name, is yet another example of a tragic hero. He is of noble birth, and he suffered tragic flaws of jealousy and insecurity. His jealousy caused him to be quite suspicious, and his enemy Iago, capitalized on that suspicion.

In the end, Othello’s jealousy drives him to kill his own wife. He takes his life, too, making him a classic example of a tragic hero who meets an unwanted demise.

Ned Stark from Game of Thrones is a more modern tragic hero example. This character’s tragic flaw is his trust that others are acting from a sense of honor like he is, when in fact many around him are acting in selfishness. His honorable character can also be seen as a tragic flaw because it is this that pushes him to accuse Joffrey Baratheon of not being the rightful heir to the throne, and that action leads to his death.

Because Ned Stark is noble-born, has good character, attempts a heroic action, and eventually dies due to his tragic flaw, he is a good example of a tragic hero.

In Gone with the Wind by Margaret Mitchell, the main character, Scarlett O’Hara, serves as the tragic hero. Her innocence and coy nature pull in the reader at the start of the story, but her tragic flaw, her obsession with Ashley Wilkes, causes her to make many poor choices. Even through her many marriages, she never finds what she feels would make her truly happy.

The tragedy in Scarlett O’Hara is not the character’s death. Rather, it is her husband, Rhett Butler, walking out of her life for good, leaving her alone.

In The Scarlet Letter by Nathaniel Hawthorn, Hester Prynne suffers from peripeteia. When she gets convicted of adultery, her fortunes reverse, yet her noble character and loyalty cause her to never reveal her lover’s name. This, along with her adulterous relationship, turn into her fatal flaw and cause her shame and isolation from the community.

This story creates pity and fear in the audience. It culminates in a reveal of who the real father of her child is, and this creates a sense of catharsis.

In Frankenstein by Mary Shelley, the character suffers from hubris as his ambition pushes him to try to conquer death using science. As he ignores natural order and starts to create his monster, he fails to see the danger he is creating for both himself and his community.

When Frankenstein’s monster starts to kill people, he realizes his mistake. The audience has pity for him, but in the end, he dies as he tries to escape the consequences of his actions and his creation.

In the television show House , Dr. Gregory House is an example of a tragic hero. He has a jaded and pessimistic view, and this creates his fatal flaw of drug addiction and refusal to own his own personal issues. Yet his wit and compassion keep audiences engaged.

Unlike most tragic heroes, Dr. House does not die at the end of the series. He fakes his own death, which creates a feeling of catharsis in the audience, but the show eventually reveals that he is, in fact, alive. He spends his last days traveling the world with his friend Wilson and abandoning his medical practice.

In Shel Silverstein’s story The Giving Tree, the tree serves as the tragic hero. As a young boy falls in love with the tree, the tree also loves the boy. Every time he asks for something, she willingly gives it.

Unfortunately, the boy grows up, and his demands become larger and larger. Eventually, he demands all she has, and she gives it. Her tragic flaw was her love for the boy, and she gave without any expectation of return. This eventually leads to her total destruction when the boy wants a boat and she gives up her trunk.

In Wicked , both the book by Gregory Maguire and the play, Elphaba is an example of a tragic hero. She is born with green skin, which causes her to be rejected by society, but she has a strong amount of idealism. However, this ends up being her tragic flaw, as it forces her into defiance against the status quo.

Even though Elphaba means well, her actions are misconstrued, especially when she stands up against the Wizard. Eventually, this leads to her death in the book and her supposed death in the play. Her defiance did not directly cause her death or near death, but it started the chain of events that turned her into the Wicked Witch of Wizard of Oz fame. 

If you like this article and still want more examples , check out our guide to movies that follow the hero’s journey.

The Story of Oedipus as a Tragic Hero Essay

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The story of Oedipus

• Oedipus and Jack from Lord of the Flies
• Oedipus and Octave Parango from 99 Francs

The whole story of Oedipus is a chain of actions and circumstances resulting in unfortunate consequences, which is represented by a special term. Hamartia in a tragedy represents a flaw in the hero character or behavior, which invariably leads to tragic events (Beye, 2019). With regard to this concept, it is difficult to determine what hamartia really is for Oedipus. His intellect may be such a flaw since, due to it, Oedipus became king and married his mother. Anger can also be hamartia because it caused the king to kill his father. His hubris, which is self-confidence and pride in tragedy, can also be hamartia since he tried to avoid the fate which the oracle had prophesied to him. As a result of his actions, Oedipus comes to anagnorisis when he learns that he married his mother and killed his father. This discovery leads him to catastrophe in the form of his mother’s suicide, after which Oedipus stabs his eyes and asks for exile. In turn, such an act of self-torture serves as a catharsis for him since it allows him to punish himself and free from guilt.

Oedipus and Jack from “Lord of the Flies”

The hero of Oedipus can be compared with the hero of William Golding’s book “Lord of the Flies” Jack. Jack’s hamartia is his hubris, as he was excessively self-confident and convinced that the boys would never return home. Due to his violent actions, Jack soon comes to anagnorisis when he learns that the other boys no longer want to obey him. A catastrophe for him is rescuing and returning home, as he will not be able to be who he was on the island anymore. Catharsis occurs when, after the salvation, Jack realizes the wrong and cruelty of his behavior. Thus, Jack is represented as a character who faces personal tragedy as a result of his actions and flaws.

Oedipus and Octave Parango from “99 Francs”

The tragic hero and his story are shaped by the elements, which together create a special formula. In relation to Oedipus, he is the archetype of such a hero, illustrating all the necessary concepts. Oedipus, as the protagonist of Sophocles’ story, fits perfectly into the formula. The hero is presented at the beginning of the narrative as a respected person with noble qualities. However, over the course of the story, its negative traits are revealed, which are hubris and hamartia. These qualities lead him to dawnfall, which is the essence of the tragedy. Rocco (2021) notes that “the play presents Oedipus as supremely confident, a man of native intelligence, skill, and wit willing to abandon all inherent custom, tradition, and limits in his single-minded search for the truth” (p. 19). Thus, the subsequent anagnorisis, catharsis, and catastrophe of the hero occur from his sincere personal striving for enlightenment and knowledge. At the same time, for him, the discovery of the truth becomes both a curse and a blessing.

Oedipus’s hamartia is his main hubris, as he is stubborn and overconfident even before the gods. It is noteworthy that he brags about his eyes and the ability to see the truth around. However, it appears that he is completely blind, which he proves through the subsequent self-punishment and catharsis. Oedipus’s hubris is emphasized by his constant criticism of the society around him and his contempt for people. Thus, he opposes himself to the whole world, and rises above it and does not hesitate to express it. However, the subsequent anagnorisis, which is the discovery of the truth, changes his life,it is his downfall. He is no longer confident, Oedipus is depressed and shocked at how tragic the event hubris and hfmfrtia have led him to. Thus, his tragedy is based on individual search and delusion, for which the hero had to pay a high price.

As Oedipus, the hero of the film “99 Francs” Octave Parengo is a self-confident person who exalts himself above everyone else. He is smart and cunning, just as a classic tragic hero, but his hubris and hamartia also lead him to misfortune. The plot of the film tells about an extremely successful marketing expert who is rich and influential. However, over time, under the pressure of various factors, he begins to realize how much the world around him is corrupt and hypocritical. This discovery is a shock to him, but he continues to struggle with himself. One day an innocent girl dies by his fault and the police come looking for him. Everything happens in front of his colleagues, which makes him feel ashamed, he is blamed, the hero is in despair. In the end, Octave decides to commit suicide in order to complete the chain of tragic events.

Although the film is a satire, the story of the protagonist is a real tragedy. Octave demonstrates the presence of all the elements necessary for the classic tragic nerve. Primarily he possesses hubris, which leads him to a sad end. His qualities as intelligence, cruelty, indifference, and self-confidence ensure his downfall. He also possesses hamartia, which is his main trait, as he considers himself to be better than everyone else. Anagnorisis for him is the realization of how insignificant and worthless his life is. This discovery leads him to catastrophe, as he kills a woman in despair and a desire to escape from awareness. Suicide is presented as catharsis, since he sees no other way to ease his fate.

Thus, Octave Parango is similar to Oedipus with his hubris and hamartia, which led the character to oppose himself to the whole world. Apparently, the paths of the two heroes are different, but the structure of their tragic fate is the same. Octave Parango is a modern variation of Oedipus, who wanted to escape the established order. He, as Oedipus, felt unique and able to do what he wanted, which gave him a false idea of ​​his position in the world. Thus, the desire to prove that the established rules have no power over him Octave, as Oedipus paid for his hamartia. Moreover, at the end of the story, Oedipus returns to Thebes, where he accepts his punishment. Octave also comes to catharsis in his company building, where his long journey began.

Although the characters are similar in general, they also have a number of differences in details. Oedipus, being a king and of noble birth, expressed his dissatisfaction with the surrounding world openly. Thus, he fought the world and tried to prove his superiority to him. Octave, in contrast, mostly struggled with himself not being able to criticize everyone, as he was part of this big lie and was afraid. Another fundamental difference between the heroes is that Octave is aware of his hubris. He understands that despite opposing himself to the world, he is a part of it and carries the same qualities. Thus, the main antagonist, as well as the protagonist of his story, is himself, who is trying to fight these traits. Oedipus is completely ignorant, his antagonist is the fate he is trying to avoid. The character is not aware of his vices, which lead him to dawnfall. Thus, Oedipus is a classic tragic hero, while Octave is more psychologically and emotionally complex, but still follows a traditional tragic path.

Beye, C. R. (2019). Ancient Greek literature and society . Cornell University Press.

Rocco, C. (2021). Tragedy and enlightenment: Athenian political thought and the dilemmas of modernity . University of California Press.

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Tragic Hero - Free Essay Samples And Topic Ideas

A tragic hero is a literary character who makes a judgment error that inevitably leads to their own destruction. Essays on the tragic hero might explore the origins of this literary concept in ancient Greek drama, the characteristics that define a tragic hero, and the thematic significance of the tragic hero’s downfall. Moreover, discussions could delve into the psychological and philosophical dimensions of the tragic hero trope, and how it reflects human nature and existential dilemmas. Analyzing various tragic heroes across literary works and cultural contexts, examining the enduring appeal of tragic narratives, and exploring the adaptations and subversions of the tragic hero trope in modern literature and film can provide a comprehensive insight into this enduring literary archetype. We have collected a large number of free essay examples about Tragic Hero you can find at PapersOwl Website. You can use our samples for inspiration to write your own essay, research paper, or just to explore a new topic for yourself.

William Shakespeare: Hamlet Tragic Hero

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John Proctor is a Tragic Hero

The characteristics of a hero are hamartia, peripeteia, anagnorisis, and hubris. John Proctor was a tragic hero because he had all of that. Although John Proctor did some things he shouldn't have done he is still a tragic hero. He made some mistakes he did things that cost him his life. But he faced his consequences with his head up and was not scared. Proctor had made adultery, he did not know all his ten commandments, he didn't go to […]

Analysis of Antigone by Sophocles

Sophocles, one of the three ancient Greek tragedians whose plays have survived, created the main character, Antigone, as a civil disobedience.  The play embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of the state.  It includes terms that are demonstrated throughout the Discovering Literature textbook.  Antigone is one of the great Greek Tragedies remembered today, and it contains an important message to readers. Throughout Antigone essay, many literary […]

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John Proctor the True Tragic Hero

Every tragic hero has an encouraging future until some fatal flaw or lapse in judgement shrouds all of their actions, leading to their eventual demise. In Arthur Miller's The Crucible, John Proctor is no exception to this statement; he succumbs to his death because of a failure in reasoning. Another one of John's characteristics that leads him to be labeled as the tragic hero of The Crucible is his relatable tragic flaw, which is also known as his hamartia. In […]

Is Medea a Tragic Hero?

The story of Medea has is often debated by modern scholars, to which they are trying to assign who is the true tragic hero in the story. Greek audiences used to conclude that Jason was the tragic hero. However, now it is argued that Madea better demonstrates the real tragic hero in the story. Is Medea a Tragedy? The term hero is obtained from a Greek word that means a person who faces misfortune, or displays courage in the face […]

AP One Sheet Oedipus the King

Major Characters: One major character in the story is Oedipus Rex. He is the main protagonist, who is the king of Thebes. Oedipus is portrayed as a dynamic character throughout the piece. He was notorious for his intelligence and being able to solve riddles. He saved the city of Thebes from a plague by telling a riddle to the Sphinx. Oedipus is a dynamic character because throughout the story he is finding more about his own self. Oedipus tries to […]

Oedipus is a Tragic Hero

For hundreds of years Sophocles' play Oedipus the King has been popular and dissected by many. Oedipus journey through the story to his dark fate has made this play one of the more popular plays among Greek mythologies. Many themes are brought up in the play, we see tragic flaws, the concept of inescapable fate and free will throughout the story. Due to the journey we see Oedipus take, he fits the mold of a tragic hero as defined by […]

The Tragic Hero Death of a Salesman

Arthur Miller’s Death of a Salesman is an appropriate illustration of a tragedy as defined by Aristotle in his Poetics. Willy Loman is the protagonist in Miller’s famous play and has attributes that qualify him as a tragic hero. The Aristotelian tragedy entails the fall of a high esteem person such as a king or ruler as a result of their weakness also known as a tragic flaw. The tragic hero according to Aristotle is brought down by an error […]

The Sanctity of Oaths in Medea

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Macbeth: a Tragic Hero

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Oedipus Rex: Tragic Hero

Oedipus displays the Aristotelian elements of a tragic hero when his hamartia causes him to suffer a peripeteia in which he loses all that he holds dear, his catharsis offers some relief from the pain of his downfall, and ultimately this tragedy creates a legacy that suggests fate is an uncontrollable force that cannot be altered. Oedipus Rex suffers great tragic flaw throughout the play. From the beginning Oedipus will never be able to escape his fate. A prophecy is […]

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Sophocles’ Antigone was a book that had a unique plot. One of the ideas presented in this specific play was feminism and Antigone’s determination to go against their ruler. Along with this idea occurred a number of tragedies, which means there’s also a tragic hero. There are numerous debates in determining the tragic hero in this play, between the protagonist Antigone and Creon, Antigone’s cruel uncle. Tragic heroes, in any work, is a character – not necessarily the protagonist- with […]

Tragic Hero – John Proctor

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Macbeth: the Tragic Hero

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The Tragic Hero In Oedipus The King

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