book review book cover

• Craft and Criticism
• Fiction and Poetry
• News and Culture
• Lit Hub Radio
• Reading Lists

• Literary Criticism
• Craft and Advice
• In Conversation
• On Translation
• Short Story
• From the Novel
• Bookstores and Libraries
• Film and TV
• Art and Photography
• Freeman’s
• The Virtual Book Channel
• Behind the Mic
• Beyond the Page
• The Cosmic Library
• The Critic and Her Publics
• Emergence Magazine
• Fiction/Non/Fiction
• First Draft: A Dialogue on Writing
• The History of Literature
• I’m a Writer But
• Lit Century
• Tor Presents: Voyage Into Genre
• Windham-Campbell Prizes Podcast
• Write-minded
• The Best of the Decade
• Best Reviewed Books
• BookMarks Daily Giveaway
• The Daily Thrill
• CrimeReads Daily Giveaway

The 139 Best Book Covers of 2023

We asked 47 designers for their favorites.

For what is now  the eighth time  in a row, I am pleased to present the best book covers of the year—as chosen by some of the industry’s best book cover designers.

This year, I asked 47 designers to share their favorite covers of the year, and they came back with a grand total of 139 covers (!), representing work by 85 different designers for 74 different imprints at home and abroad. The designers’ choices, and their comments, are below.

But first . . . the stats.

The best of the best book covers:

First place (12 mentions):

Szilvia Molnar, The Nursery   design by Linda Huang (Pantheon, March 21)

* Second place (8 mentions):

Olga Ravn,  The Employees design by Paul Sahre (New Directions, February 7)

* Third place (tie—6 mentions each):

Greg Jackson, The Dimensions of a Cave   Design by Jamie Keenan (Granta Books, October 26)

Celina Baljeet Basra,  Happy   Design by Alex Merto (Astra House, November 14)

The presses with the most covers on the list:

First place: FSG (19 covers)

* Second place: New Directions (11 covers)

* Third place: Pantheon (7 covers)

The designers with the most different covers on the list:

First place: Na Kim (7 covers)

* Second place: Alex Merto (6 covers)

* Third place (3-way tie) Jamie Keenan, June Park, Jaya Miceli (5 covers each)

The best month for book covers:

First place: August  (20 covers)

* Second place: September (19 covers)

* Third place: October  (18 covers)

The full list:

Such wonderful simplicity, but also cleverly articulating a newborn’s not fully developed vision and the new mother’s struggle with her dissolving identity. Love the placement of ‘A Novel’.

– Holly Ovenden

Everything about this cover is so elegant and minimal. Using “a novel” as part of the illustration is such a clever way to keep from adding more elements to it.

– Vivian Lopez Rowe

I gasped when I first saw this cover. Such a genius idea that speaks perfectly to the title while also avoiding cliches. The blurring is perfection.

– Jaya Nicely

– Erik Carter

Perfectly captures the bleariness of new motherhood. Best design use of “A Novel” I’ve seen in a long time.

– Jenny Carrow

Tender, brilliant, beautiful. I almost can’t believe that Linda was able to get this approved, but I’m so glad she did.

– Alicia Tatone

Although this cover is blurred we know exactly what we’re looking at. Playful and surprising, yet elegant.

– Stephanie Ross

It’s placement of “a novel” for me. Genius!

– Cecilia Zhang

What a smart and sophisticated solution, it’s really beautiful.

– June Park

It’s perfect. The perfect choice of color, type, and image. Linda managed to find a refreshing way to evoke the tenderness, pain, and love of motherhood.

– Arsh Raziuddin

Such a bold, simple and evocative visualization of postpartum depression. Love the way “a novel” is set here and becomes part of the narrative.

– Janet Hansen

No water cooler talk in this office. The dripping “s” in the title is a smart way to echo the overflow above.

– Stephen Brayda

Sinister stock image and haunted office noticeboard type, this cover looks like nothing else. Also the back cover is a work of art in itself.

– Tom Etherington

This is my favorite book cover of 2023. The image is left to sing and the simple, off-kilter type works perfectly in concert.

– Beth Steidle

This seems like a depiction of an intrusive thought a bored office worker would have while at the water cooler. The falling ’s’ adds to the overall despondent mood.

The cover is beautiful, but the back cover is even better.

For me, the most striking cover of the year, hands-down. The back cover is just as good, too.

– Luke Bird

Joyful, smart, eye-catching—instantly iconic.

Amusing, witty, and incredibly clever—a funhouse distortion of the stereotypical happy face. Turning the book over is an added treat—you’re greeted with an inverted version of the cover, with that elongated smile turned wistfully upside down.

– Devin Grosz

This makes me feel happy.

– Tyler Comrie

Always a sucker for a bold smiley (and frowny!) face cover.

Just makes you smile. The use of the space is the key to this. Looks so nice on the shelf too.

The back flap as front cover is a perfect backwards way to start this journey.

A truly weird cover, and the flaps made me laugh out loud.

This design is so clever and trippy—tricking you into thinking you are looking at the back flap of the book. What’s really great is that the entire jacket follows through with the concept.

– Laywan Kwan

I love the back flap image on the front cover. So clever!

– Jaya Miceli

The U.S. design is excellent as well, but a particular nod of respect to the U.K. design, a mind-bender of a jacket.

– Mark Abrams

Brilliant idea, brilliantly executed. So good it’s almost unsettling.

Gorgeous execution!

The juxtaposition of the cool, linear paint “tears” with the hyperreal portrait is enough to make ME cry. Achingly gorgeous.

– Alison Forner

Stunning interpretation of a coming-of-age novel. The super-tight crop and brush strokes work brilliantly.

I love the use of photography and paint here. Just beautiful and emotive.

The liquidy script, creepy monster, and colorful geometric shapes combo create an intriguing and magical world I want to learn more about.

The contrast between the cheery, childlike shapes and the monster lurking down on the bottom edge makes for a compelling cover.

The creature catches you by complete surprise in its unexpected placement beneath all the happy shapes and loopy type. The eeriness of those eyes stayed with me, even after I put the cover down. Unsettling in all the best ways.

I had no idea Alex was behind this cover the whole year I’d admired it. I love everything about it; the choice of fonts, the colorful shapes, the crouching monster… everything seems to be in perfect harmony, but the tension is palpable. I want a poster!

It’s not easy to make a cover with a red-eyed monster appealing…I guess that is unless you’re Alex Merto.

– Grace Han

Hauntingly beautiful. The glossy slab in the center, the glimmer of the gold typography, the creature emerging from the inky blackness—the alchemy of these elements reflect the novel’s theme of a story blotted out and then resurrected.

This cover is a perfect example of how to do a lot with very little. It’s an exercise in minimalism and contrast that manages to feel lush, textural, and mysterious.

Simple but effectively executed black-on-black art. It’s smart and elegant.

“It’s the wild colour scheme that freaks me out,” said Zaphod, whose love affair with the ship had lasted almost three minutes into the flight. “Every time you try and operate these weird black controls that are labeled in black on a black background, a little black light lights up in black to let you know you’ve done it.” -The Restaurant at the End of the Universe

I already thought it was perfect, and then I saw ‘a novel’. Brilliant.

This cover feels simultaneously bold and delicate. I can’t get over the “A Novel” disappearing into the haze. Another one that made me gasp on first sight.

I love how beautifully simple yet atmospheric this book cover is, It’s mesmerising, like staring into the literal sun!

– Kishan Rajani

Moody! I love looking at this.

– Anna Kochman

When it comes to effectively utilizing negative space, Na Kim dominates—and this cover is no exception. It’s like a colorful abstract painting that evokes pure emotion.

– Pete Garceau

In a world of big shouty titles, this cover really stands out. So elegant and understated.

Simple, quiet and beautiful. I love the gradating colors.

The delicately intertwined arrows work as a perfect visual metaphor for these stories—evoking the journeys undertaken by the characters across continents, generations, and deep within their own emotional landscapes. A quiet gem.

– Allison Saltzman

Eye-catching perfection. I can’t stop staring at the sun. The red type on top of the green creates just the right amount of vibration.

– Sarah Schulte

Simple geometric shapes, beautiful colour and Ed Ruscha type on an uncoated paper. Take my money.

The simplicity and confidence of this cover just work!

My favorite cover of the year. I’m a huge fan of the metal lettering + foil + pink endpapers.

Exquisitely channeling the heavy-metal-death-cult vibe.

– Lauren Peters-Collaer

The type! The holographic foil! Just so much fun and visually electrifying.

You can hear these forks scraping! The odd colors add even more tension.

Bryan Washington’s covers have all been so bold and witty, and this most recent one is no exception!

– Cassie Gonzales

This color combo is so unexpected and strangely appealing. I really love when color can do a lot of the heavy lifting in creating a compelling cover. And this is a great example of color that is not in your face but still eye-catching.

– Lauren Harms

The interlocking forks! This cover feels so fresh.

I love everything Joan Wong x New Directions. Joan has a beautifully distinctive style, and she continues to do something surprising each and every time. Poster please!

Meltingly good.

Another bold interruption of a sweet image, this time with a more disturbing feel.

A thrilling mash-up of old and modern, brilliantly executed. It’s also hilarious that the lady is plummeting rather violently yet her expression remains unperturbed.

– Linda Huang

Perfect execution of an exceptional concept. Everything works in concert here to evoke both old and new.

The use of color, texture, and repetition is incredibly engaging. Every choice is so well conceived.

– Emily Mahon

It’s not just the treatment of the artwork, but the way the type echoes it that really makes me love this.

I knew this would be one of my favorites of the year as soon as I saw it. So smart, the kind of simple that is anything but. Really elegant.

– Jamie Stafford-Hill

Even when you figure out the footprints are thumbprints, your brain still refuses to see it that way. So simple and so brilliant!

– Jamie Keenan

This is just beautiful, simple and clean. A lovely idea beautifully executed. The finished book feels nice too.

This gradient + type combo kills me. So good.

Jon Gray does it again.

I love how mirrored bold type treatment becomes the cover image. Pink and red!

What more can I say? I love clever typographic solutions. I love how the type forms a beautiful abstract shape. I love the red-pink palette. I love the display font.

So simple and so so charming.

I need to blow this up and hang it on my wall.

A collage with a depth and perceived dimensionality not always seen with this art creation technique.

– Nicole Caputo

The delicate type juxtaposed with the boldness of the collage, the balance of it all just works for me.

Great use of color, love a grid design especially one with such intriguing and charming illustrations.

– Kelly Winton

This color palette is gorgeous. A lot is going on in this design and yet the whole thing is still soft and moody.

– Zoe Norvell

A truly gorgeous cover. These soft, ethereal rainbow waves elegantly wrap around to the back of the jacket, organically integrating all of the type in a sophisticated way.

There is a calming feel to this cover. The type is thoughtfully placed, while the undulating shapes move your eyes around the entire space.

– Kimberly Glyder

I love this by Tom Etherington, so calming and beautiful! It’s a work of art.

– Anna Morrison

A personal favorite for not only the content of the novel but the brilliant solution of how to place such a long subtitle. I love the bright colors and little stars throughout.

So funky and vibrant, you just want to keep looking at it and get lost in the ribbons.

The spiraling type is SO FUN! The cadence of the ribbon bunching adds dimension and movement; reading the copy was a mini adventure! The sharp drop shadow is an added plus. June is an absolute pro!

This cover really packs a punch. The crop of the dog’s noses works so well—and that tongue!

Bold image that is victorious in striking so much mystery between title and the ambiguous expression and composition…and gravity!

Bold, sexy—I love it.

Beautiful colours and such a striking and thoughtful illustration.

This bright, citrusy palette is so pleasing to look at. That soft green is sublime. The hole punches through the objects add a satisfying layer of mystery.

The shapes around the artifact remind me of rock climbing holds and I love how that implies a solitary and intense struggle with heritage, identity or history. I also like the nostalgic and fading quality of watercolor.

I love the energy of this cover. The whimsical type treatment paired with the bubbly illustration, shattered into pieces like a broken plate, is intriguing.

A clever way to depict a character on the cover, without really showing them. The illustration is gorgeous as is the movement of the type.

Such an evocative photograph and great use of negative space. This cover reminds me of Sofia Coppola (high praise in my book!).

I love how there are so many parts of this cover that are uncomfortable—the empty space, the slightly misshapen square, the fidgeting hands and the handwritten text shoved right up against the title.

I love that the text almost isn’t present (graceful as it is)—the illustration maxes out the visual space and the touch of blood signals the story before you even read the title. Keen and gorgeous.

– Alban Fischer

A redesign of a classic that feels both timeless and yet entirely new. Tim Lahan’s illustration is the perfect nod to the titular story.

Love the intriguing dream-like head of the rose / jellyfish combination.

The novel itself descends into a frightening yet irresistible world, so fusing a jellyfish with a rose is a stroke of genius. Both are beautiful, yet both can inflict pain—one with its tendrils, the other with its thorns. The lush type treatment furthers the seduction.

So original and elegant. I love the flowing placement of the type and how it works with the illustration.

Such a sweet, whimsical illustration with a surprise pop of color in the vessel. Love the unusual composition.

I’ve always been drawn to covers that pose a question to the reader, and this one is quite literally full of them. The insistent repetition of the title question, the unnatural pastel flowers rising to obscure the words from view—gorgeous and unnerving.

A brilliant and beautiful image that seems indeed to be a perfect marriage of poetry, art and tech and that draws the viewer in enough to inspire a win for design and for the team and author who approved this, as the title is parsed slightly more slower than most covers out there today. Refreshing.

Looks good, smells even better.

The title streaming down from the nostrils is a nice (yet slightly gross) touch—this cover is wacky in the best way.

Amazing movement and depth . . . the hand-drawn, edgy quality screams thriller.

This cover has a great sense of movement. It’s easy to imagine the type, trees, and drone on the cusp of being swept away in the wind.

The attention to detail in this illustration is astonishing. The entire cover is dangerous and lush.

I love a twisted still life! The venus fly traps, the skull, the spilled coffee—every sinister detail is spot on.

It’s just… perfect. I don’t know what else to say. It’s perfect! Makes me want to be a fifteen-year-old girl again.

10/10 perfect execution.

This one forces you keep trying to work out what exactly is going on and noticing another new bit.

Beautiful, ominous.

So tender and edgy. If Tyler did this in Photoshop, it’s just brilliantly executed.

Food for thought!

So Monty Python. The way you see just under a half of Harding’s rueful eye peering out at the reader, ?.

Suzanne Dean’s designs for the reissues of the Murakami series (illustrated by Tatsuro Kiuchi) are so unique, eye catching, and captured the spirit of Murakami’s writing so beautifully.

This design of this series is a celebration of Japanese illustration, reflecting the narrative in a colourful and playful way, and the obi wrap-around is inspired. Any Murakami fan would be ecstatic to receive this series.

My favorite part of this half-jacket, pre-printed case combo is how “Lou Reed” peaks out from behind the jacket, like a crown on top of Lou Reed’s head.

The case for simplicity.

Having this much black and then this loud pop of color is such a bold choice. It feels so much like a movie poster.

The simplicity, contrast, and overall vintage quality of type and design really resonates. It’s one of those simple and effective covers, where you say…why didn’t I think of that??? But I didn’t….June Park did, and it’s stunning!

There’s something about the hierarchy of the type that feels wrong—it took me a moment to distinguish the title from the author, but that’s the type of rule-breaking that makes this so memorable and confident. I didn’t realize that this book was part of a series, which makes it all the more compelling. The sophisticated color combo is also winning.

Not easy to make a typographic series design feel as fresh and as striking as this. There’s retro nod which I love.

I love Na’s covers for Yiyun Lee. Everything feels so considered.

I love the bold interruption of the pregnant pear shape into that charming dog painting.

I love these colors together. It’s such a contemporary choice and the contrast to the traditional imagery in the painting adds so much depth.

I love that red and pink combo. The combination of traditionalism and modernity is really striking.

What’s not to love about this cover? It’s engaging, striking, and uses eyes in a way that’s never been done before (which is no small feat when it comes to book covers).

I mean who couldn’t love all those teeny tiny eyes? She found the perfect piece of art for this!

Somehow a perfect blend of nostalgia, wit and design balance. The clashing palette works so well.

The illustration and type feel spontaneous and fresh. I’m intrigued by these figures in a hot tub/boat. What are they scoping out?

Lush and beautiful. It feels intriguing, raw and emotional. It really draws you in.

This cover speaks to this subject matter so succinctly and emotively—from the perfect placement of the bindi and the sharpness of the Kajal, it speaks to the idea of the ideal Indian woman and wider expectations of the model minority. It’s brilliant.

A charming collection of fonts and shapes.

The artwork is gorgeous and the color and type work so beautifully together.

Love me a good spy cover! Type, color, perspective, and figure placement are all spot on.

– James Iacobelli

I just completely lose myself in the gills of this mushroom.

I love the dimensional collaged overlay with the hand lettered type. Beautifully executed.

This could have easily fallen into a predictable trap, but Lynn took a completely unexpected approach and turned it into a work of art.

Absolutely beautiful art by Lisa Ericson and the minimal type with subtle gradient does a great job at toggling between the foreground and background without distracting from the art and its message.

I love how bold, evocative, and graphic this cover is—a real standout in the nonfiction world.

Who knew a gradient could be so sexy?! Love how the type just barely touches the shape.

The attitude of this design—the figure itself, yes, but also the scale and interaction with the gorgeous typography—is simply everything.

– Morgan Krehbiel

I love a typographic cover and this one works so well. The way 1984 is almost peering over the title, as a looming presence is so impactful.

Jamie is always good at finding new ways of saying things. This captures streets at night and I love the use of colour.

The illustration is incredible! I love it when there are different levels of information in a design. This works on both a detailed micro level with the waves and the ship, and a macro level with the face.

Great texture and craft.

I think I remember my mouth uncontrollably popping open the first time I saw this one—it’s just so unique. And those pokes!

Understated creepiness, with glow in the dark spot gloss. What’s not to love!

I love the energy and punk rock feel of the type and illustration.

So much warmth and spirit.

Haunting. Of note, from the back flap: “the image on this jacket was created by Bennett Miller, using OpenAl’s DALL-E 2 software. He arrived at the final product by making extensive edits on variations of an image generated using the following prompt: ‘a vintage photograph of huge plumes of smoke coming from an enormous UFO crashed in the desert.'”

Creative way to turn type into imagery.

There is something wonderfully magnetic and lush in this illustration. It feels both classic and contemporary. And I love the unconventional framing typography. Looks fantastic in person and on screen.

Super commercial and super good! I love the details like the sloping title and the screen on the image.

I love the pairing of this historical illustration with modern hand lettering.

The level of detail that Andrew puts into his covers, blows me away. The way the beautifully illustrated crow fills the cover and the red ribbon that flows through it all, is just perfect.

I love the humor of the illustration contrasting the title and the simplicity of the composition. It looks vintage yet contemporary, and the neon green is so fun.

There’s so many layers to this cover. I love that the art and text come together, making this a unique cover. No idea what’s going on, but I’m intrigued.

I’ve been obsessed with this cover since the moment I saw it.

I am struck by this cover every time I see it. The color palette and the image so perfectly capture the strangeness, interiority, and otherness of what happens within our own bodies.

Amazing combination of title and art.

When I look at this my eyes just yoyo backwards and forwards between the title and young kids and It’s a great use of empty space.

Lauren’s hand lettering pairs so beautifully with Amoako Boafo’s art.

Captivating Rorschach-esque art with hidden elements begs to be picked up.

This cover perfectly captures the paradox of urban loneliness. Also, the attention to craft on this cover is remarkable—the imperfect rectangles and the slightly off-center circles all come together to give it that midcentury modern flavour…an homage to a time when the Align-Window didn’t exist.

This edition takes a conventional sci-fi-thriller look and throws it out the window. Love those colors!

What Na Kim did with this cover was take one of the most direct cover designs possible while still leaving room for ambiguity with a giant Ellsworth Kelly blob.

Love how the art—unsettling and beautiful at the same time—gets to shine here. Seamless type integration, pearl finish, and sculpture emboss make this a really striking package.

Trippy. What was this guy smokin’ when he made this?

I first saw this cover on display in my local bookstore, and literally stopped mid-conversation to run across the room for a closer look. Something about the restraint in the design is just so exciting.

What a pairing of type and image! The typography is really fantastic and lends sophistication. Love the simplicity.

The layered views offer a glimpse into a confused world, while the serene color palette and structured type balance out the chaos.

This cover is bonkers and brilliant!

LOVE LOVE LOVE everything about this cover!!

A clean and heartbreaking design. I like how the windswept flower appears to force the type further and further apart.

Perfect, as always.

I love how this one asks you to look closer.

A perfectly balanced cover that only gets better the closer you look at the textures and details.

The negative space, the colors, the Paul Rand-esque illustration—Matt can do no wrong.

Simple, daring, and brave enough to take risks (no quotes, sticker barcode) like Rubin himself.

An excellent photograph that pairs perfectly with the title. Humorous and sentimental.

Love the colors and surreal quality of this cover. That eyeball!

It’s so incredibly hard to create something fresh and unexpected for books like these. I love how this captures the raw energy of one of the most important issues of our time. It feels urgent and unbridled.

Something about the unsettled energy of the illustration and type just grabs me. Plus, it’s a wolf in a suit.

AMAZING art by Belkis Ayón.

Such an imaginative take on a wunderkammer. I love how the illustrated elements are falling playfully against the structured type.

Love the contrast between the zoomed-in intimate photograph and small-scale digital type.

The yellow of the nails and typography pops off this jacket in person.

I mean, yeah.

The textures and patterns lend such a rich and warm sense of place to this cookbook. Cookbook industry, please take notes.

Shouting out a category normally not on people’s radar. Love the mood and composition here, not to mention the swash on the N!

The hole punches are such an efficient way of adding a sense of fleeting moments, memories and partially processed feelings to a cover that is essentially just a very simple typeface and an image.

I love every bit of this cover—the brushstrokes in the type, the color palette, the little shadow characters, and the stars at the top.

There is so much texture in this cover! The concentric circles bring my eye right to the center. I also find it refreshing to see a historical fiction cover that doesn’t rely on setting or fashion.

Feels both vintage and entirely modern. Always appreciate Oliver Munday’s designs.

The lettering and graphic illustration create the perfect tension for this memoir about the author’s strict Rastafarian upbringing.

It’s amazing how the ship in the far distance pulls you right in.

The layering of elements is so beautifully executed here. The push-and-pull between foreground and background ask some questions while drawing me in—to me, the ultimate bar for a memoir cover.

This one must be seen in person. The special effects are stunning.

So elegant and also playful. Such a sweet and tender design.

Park’s type work is always so cozy and considered. And that big field of oversaturated red! The muchness this cover achieves with such economy is nothing short of wizardry.

A jolt of energy.

Love this. Excellent contrasts with that bright yellow, huge sharp black type, organic/digital liquid splash. Still fresh and eye catching every time I see it. (Also, gotta appreciate a four letter word on two lines.)

So impactful. I love how emotive the painterliness is here.

This cover speaks to how prolific Black Thought is, and the depth of his music and his story. The modern and fresh collage is spot-on.

A big deal book with a big look cover. What sets this jacket apart for me is that while there are big graphic elements, there are also really fine details. Simple and striking.

One thing about me? I simply love a collage. And the weirder the better.

Emily Temple

Previous article, next article.

• RSS - Posts

Literary Hub

Created by Grove Atlantic and Electric Literature

Sign Up For Our Newsletters

How to Pitch Lit Hub

Advertisers: Contact Us

Privacy Policy

Support Lit Hub - Become A Member

Become a Lit Hub Supporting Member : Because Books Matter

For the past decade, Literary Hub has brought you the best of the book world for free—no paywall. But our future relies on you. In return for a donation, you’ll get an ad-free reading experience , exclusive editors’ picks, book giveaways, and our coveted Joan Didion Lit Hub tote bag . Most importantly, you’ll keep independent book coverage alive and thriving on the internet.

Become a member for as low as $5/month

How to Write a Book Review: The Complete Guide

by Sue Weems | 23 comments

Start Your Story TODAY! We’re teaching a new LIVE workshop this week to help you start your next book. Learn more and sign up here.

If you've ever loved (or hated) a book, you may have been tempted to review it. Here's a complete guide to how to write a book review, so you can share your literary adventures with other readers more often! 

You finally reach the last page of a book that kept you up all night and close it with the afterglow of satisfaction and a tinge of regret that it’s over. If you enjoyed the book enough to stay up reading it way past your bedtime, consider writing a review. It is one of the best gifts you can give an author.

Regardless of how much you know about how to write a book review, the author will appreciate hearing how their words touched you.

But as you face the five shaded stars and empty box, a blank mind strikes. What do I say? I mean, is this a book really deserving of five stars? How did it compare to Dostoevsky or Angelou or Dickens?

Maybe there’s an easier way to write a book review.

Want to learn how to write a book from start to finish? Check out How to Write a Book: The Complete Guide .

The Fallacy of Book Reviews

Once you’ve decided to give a review, you are faced with the task of deciding how many stars to give a book.

When I first started writing book reviews, I made the mistake of trying to compare a book to ALL BOOKS OF ALL TIME. (Sorry for the all caps, but that’s how it felt, like a James Earl Jones voice was asking me where to put this book in the queue of all books.)

Other readers find themselves comparing new titles to their favorite books. It's a natural comparison. But is it fair?

This is honestly why I didn’t give reviews of books for a long time. How can I compare a modern romance or historical fiction war novel with Dostoevsky? I can’t, and I shouldn’t.

I realized my mistake one day as I was watching (of all things) a dog show. In the final round, they trotted out dogs of all shapes, colors, and sizes. I thought, “How can a Yorkshire Terrier compete with a Basset Hound?” As if he'd read my mind, the announcer explained that each is judged by the standards for its breed.

This was my “Aha!” moment. I have to take a book on its own terms. The question is not, “How does this book compare to all books I’ve read?” but “How well did this book deliver what it promised for the intended audience?”

A review is going to reflect my personal experience with the book, but I can help potential readers by taking a minute to consider what the author intended. Let me explain what I mean. 

How to Write a Book Review: Consider a Book’s Promise

A book makes a promise with its cover, blurb, and first pages. It begins to set expectations the minute a reader views the thumbnail or cover. Those things indicate the genre, tone, and likely the major themes.

If a book cover includes a lip-locked couple in flowing linen on a beach, and I open to the first page to read about a pimpled vampire in a trench coat speaking like Mr. Knightly about his plan for revenge on the entire human race, there’s been a breach of contract before I even get to page two. These are the books we put down immediately (unless a mixed-message beachy cover combined with an Austen vampire story is your thing).

But what if the cover, blurb, and first pages are cohesive and perk our interest enough to keep reading? Then we have to think about what the book has promised us, which revolves around one key idea: What is the core story question and how well is it resolved?

Sometimes genre expectations help us answer this question: a romance will end with a couple who finds their way, a murder mystery ends with a solved case, a thriller’s protagonist beats the clock and saves the country or planet.

The stories we love most do those expected things in a fresh or surprising way with characters we root for from the first page. Even (and especially!) when a book doesn’t fit neatly in a genre category, we need to consider what the book promises on those first pages and decide how well it succeeds on the terms it sets for itself.

When I Don’t Know What to Write

About a month ago, I realized I was overthinking how to write a book review. Here at the Write Practice we have a longstanding tradition of giving critiques using the Oreo method : point out something that was a strength, then something we wondered about or that confused us, followed by another positive.

We can use this same structure to write a simple review when we finish books. Consider this book review format: 

[Book Title] by [book author] is about ___[plot summary in a sentence—no spoilers!]___. I chose this book based on ________. I really enjoyed ________. I wondered how ___________. Anyone who likes ____ will love this book.

Following this basic template can help you write an honest review about most any book, and it will give the author or publisher good information about what worked (and possibly what didn’t). You might write about the characters, the conflict, the setting, or anything else that captured you and kept you reading.

As an added bonus, you will be a stronger reader when you are able to express why you enjoyed parts of a book (just like when you critique!). After you complete a few, you’ll find it gets easier, and you won’t need the template anymore.

What if I Didn’t Like It?

Like professional book reviewers, you will have to make the call about when to leave a negative review. If I can’t give a book at least three stars, I usually don’t review it. Why? If I don’t like a book after a couple chapters, I put it down. I don’t review anything that I haven’t read the entire book.

Also, it may be that I’m not the target audience. The book might be well-written and well-reviewed with a great cover, and it just doesn’t capture me. Or maybe it's a book that just isn't hitting me right now for reasons that have nothing to do with the book and everything to do with my own reading life and needs. Every book is not meant for every reader.

If a book kept me reading all the way to the end and I didn’t like the ending? I would probably still review it, since there had to be enough good things going on to keep me reading to the end. I might mention in my review that the ending was less satisfying than I hoped, but I would still end with a positive.

How to Write a Book Review: Your Turn

As writers, we know how difficult it is to put down the words day after day. We are typically voracious readers. Let’s send some love back out to our fellow writers this week and review the most recent title we enjoyed.

What was the last book you read or reviewed? Do you ever find it hard to review a book? Share in the comments .

Now it's your turn. Think of the last book you read. Then, take fifteen minutes to write a review of it based on the template above. When you're done, share your review in the Pro Practice Workshop . For bonus points, post it on the book's page on Amazon and Goodreads, too!

Don't forget to leave feedback for your fellow writers! What new reads will you discover in the comments?

Sue Weems is a writer, teacher, and traveler with an advanced degree in (mostly fictional) revenge. When she’s not rationalizing her love for parentheses (and dramatic asides), she follows a sailor around the globe with their four children, two dogs, and an impossibly tall stack of books to read. You can read more of her writing tips on her website .

23 Comments

The Ice Dragon by George R.R. Martin is about a girl that shows no emotion befriending a ice dragon.

I chose this book based on the cover that had a little girl riding a ice dragon, and wondered what is about.

I really enjoyed the interaction the little girl had with the dragon.

I wondered how how the girl’s bond with the dragon.

Anyone who likes a coming of age story set in a fantasy will love this book.

Thanks for sharing your practice, Azure!

You’re welcome.

A interesting, at times perplexing, subject! And one on my mind lately,as I’ve agreed to do a few. I do enjoy giving reviews and am delighted when I can say, “This was a great book!” Or even, “I enjoyed this book.” It gets perplexing when I agree to review a book — and simply don’t like it. Then what to say? I hate to disappoint the writer but I’ve promised to give my honest opinion.

I’ve found some books mediocre and yet I see a dozen other reviewers saying “A great story!” Tastes do vary. But when there are obvious flaws I tend to skip all the best-friend-and-cousin reviewers and find the first person who says, “This writer has a problem with…” Usually there’ll be a number of reviewers who spot the same problems I do.

I like upbeat main characters, but not aggressive, belligerent, and/or self-centered ones. I like to meet in a story the kind of people I’d like to meet in real life— not people I’d avoid if possible. I recently read a book where the main character came across as insipid and the story only mildly interesting. Other reviewers said it was great and I know for this specific audience — readers who want a certain slant to a story — it was quite suitable. So I tried to cut the book some slack. Everyone has their limit as to how much blood and gore, smooching and snuggling, they are willing to read about.

Once I agreed to review a book and would have tossed it after the first chapter — for several reasons. A lot of “writer inserting facts for reader’s benefit”; teach/preach paragraphs; excess of description; attitudes of MCs. Once it’s live on seller’s sites like Amazon, what can you say? The one thing good it had going for it was the story line or theme. With a pro editor’s help it could have been a great story.

As for a review, one book I read lately was “A Clue for the Puzzle Lady” by Parnell Hall. It’s one of those “Stayed up half the night to finish it” books; I think anyone who likes a compelling cozy mystery would probably like it. Downside: I didn’t care for the “Puzzle Lady.” She’s a lush, hangs out at the bar getting sloshed. The upside: her sensible niece has a starring role —trying to keep her aunt on the straight-and-narrow and the mystery keeps you guessing until the end.

Christine, Thanks for sharing your insight! It sounds like you are approached often to review new books. It does make it tricky if it’s a request, especially outside your own preferences. Thanks for chiming in about your process, as I’m sure others will appreciate the perspective too. I’ll have to take a look at the Puzzle Lady– I do enjoy cozy mysteries. Sue

Here’s another cozy mystery book review in case you’re interested. I’m not approached by writers that often, but there are the Story Cartel, Book Bub and Goodreads, all sites where authors ask for review volunteers.

Reel Estate Ripoff by Renee Pawlish

The detective Reed Ferguson is a fan of Humphry Bogart, movie memorabilia of that era, and fancies himself a bit of a Sam Slade. Though not your super-sleuth, rather inept at times, he’s a likeable character. Told in first person, the story has a Philip Marlowe tone to it, but much tamer. Dialogue and story line are well done, the story well plotted and believable. I’d gladly read more stories about this particular gumshoe.

If you like cozy mystery books, I’ll send you a list later, Sue. Love them too and I’ve met many authors who write in this genre. Back on topic– you inspire me again to add some reviews to my Blog. I have been reading and writing many middle grade mysteries for a project! My latest favorite: “The World’s Greatest Detective” by Caroline Carson (who I hope to meet tomorrow in Arlington, VA!) My 12 year old grandson borrowed it and finished it before I could. “It’s the best mystery I ever read, Grandma! You’ ll never guess the ending with unpredictable twists!” What better review could we read. The target audience and I both highly recommend this 2017 mystery.

Adding it to my stack, Beth. Thanks!

Not wanting to sound life an idiot, but willing to risk it here among friends: What exactly is a cozy mystery?

Glad you asked! It’s a subgenre of mystery. The best examples of cozy mysteries are those by Agatha Christie. They usually avoid profanity, excessive gore/ violence, and sex. They focus more on the puzzle, sleuth, and their smaller world. Hope that helps!

Thanks, Sue.

Wonderful article. The first I have read by you. It especially gets those of us who don’t feel we have the formula down for review writing to be introduced to a form we can build upon with experience. You’ve kept it simple but you have given us the main ingredients needed for a good review. I printed this one off to look at the next few times I write reviews. Thank you.

Glad you found it helpful. Thanks for reading and commenting!

I haven’t gone into all this. It’s a matter of time, Joe. I gad about all over the place, not knowing where I am or where I’m going. Within weeks, I’ll be 87. I’ve books of my own that I’d like to see reviewed. Even sorting them out, however, even finding where any of them are, would be a time burden. You see the fix?

Hi Dave, You aren’t alone in feeling the press of time for getting your stories out into the world. May I gently offer this: start with finding and sorting one. If you can’t find it, write it anew. You’ve probably grown in time and perspective since you wrote the first draft, which will make for a stronger story. Good luck. I’m cheering you on!

This is an article for me, because I am happy to receive a rating. I haven’t sold many books. But, at least some thinks that it was worth the time to read. That was refreshing. And, I think I wrote two reviews, so far. It was on Amazon.com. Thank you.

You’re welcome!

Hi, Sue. Thanks for the helpful advice. I did a review on Amazon for the first of a 7-part thriller titled ‘Mosh Pit (The Rose Garden Incident)’ by Michael Hiebert. [Here it is.]

“5.0 out of 5 stars Advance copy review. By A fellow author on September 18, 2016 Format: Kindle Edition I Recommend This Book Strongly

I enjoyed reading this first part of the thriller. The author’s opening chapter/prologue was fast paced, and set me in the middle of the inciting incident along with two of the main characters. After that thrilling opening, I felt the ensuing chapters moved at a more leisurely pace, and was about to grade them as less praiseworthy when I watched a lecture by Brandon Sanderson on YouTube about building three dimensional characters and realised Michael Hiebert had done exactly that by introducing the reader to the minutiae of other characters who had parts to play in the development of the story. So, instead of cardboard cutouts of bland stock characters, the author shows us real people with real concerns that the reader can relate to.and actually care about. I look forward to reading the rest of this intriguing thriller, and highly recommend it to all lovers of well-written, and well-crafted thrillers.”

I also reviewed Part 2 of the series, but that review is too long to post here.

Footnote: The author, Michael Hiebert, was so pleased with my reviews, he recently asked me to beta-read a short story collection he plans to publish in November.

Great review, John! I like how you shared a bit of your process as a reader too, in recognizing what the writer was doing with their characterization. Thanks!

Thank you, Sue.

Five out of five stars When I picked up a copy of “The Girl with All the Gifts,” by M R Carey, at the used book store, I somehow had it in my head that it was a YA dystopian novel along the lines of “Divergent” or “The Hunger Games.” While I would definitely say that I was not right about that, I wouldn’t say that I was completely wrong. I was, however, completely unprepared for a zombie novel–which is a good thing, cause I wouldn’t have read it, and I’m glad I did. Think “The Walking Dead” meets (why do I want to say ‘The Curious Incident of the Dog in the Night”?) “Peter Pan.” I really enjoyed seeing things from, the main character, Melanie’s point of view. Her limited knowledge of her own situation was intriguing, to say the least (and probably why I thought of “The Curious Incident”). I was a bit disappointed when the POV changed to another character’s, but, as the novel progressed, I found myself sympathizing with nearly all the characters–with one exception, and I’ll leave that for you to ponder when you read it. I wondered how much of the science was real, but not enough for me to research it myself. Although, based on other reviews, I guess most of the science about the fungus is real. I also wondered about the fate of the remaining ‘lost boys’ of the cities. If you liked…. well, I don’t know. I’m not typically a fan of things zombie, so I don’t have a comparison, but the book was somewhat similar to “Divergent” and “The Hunger Games” in that the main character goes through a hellluva time and comes out the other side with a plan for her future.

“Tuesdays with Morrie” by Mitch Albom is a true story about how one man found meaning in life when his doctors gave him a death sentence. Morrie was a college professor who passed on his new found wisdom in the last year of his life to a favorite student, the author, who chronicled his professor’s perspectives on death and dying.

I chose this book because of its philosophical topic, and because it is so well written that the words just jump off the page.

Knowing we are all mortal beings, I especially liked the insights, the tidbits of wisdom imparted by the dying man. Death is a subject that few, if any of us, ever talk about seriously with friends and family. The subject of death is verboten. We deny its existence. And, if we are religious, we pretend we will not really die, but we deceive ourselves and think we will live on in some afterlife existence for all eternity. But the professor, Morrie, learns some valuable life lessons from his impending death, and Mitch Albom was gracious enough to capture them in this short but eminently readable book.

I really liked the book because it is timeless. This true story will impart serious life lessons for all future generations, and will help us gain perspectives on our lives and the relationships with those we love the most.

R. Allan Worrell

Sue, I’ve been meaning to come back since this was first posted to tell you thanks for a great article. I seldom review books for alllllll the reasons you listed. This is a perfect tool and I’ll surely use it. Cathy

Submit a Comment Cancel reply

Your email address will not be published. Required fields are marked *

Submit Comment

Join over 450,000 readers who are saying YES to practice. You’ll also get a free copy of our eBook 14 Prompts :

Popular Resources

Best Resources for Writers Book Writing Tips & Guides Creativity & Inspiration Tips Writing Prompts Grammar & Vocab Resources Best Book Writing Software ProWritingAid Review Writing Teacher Resources Publisher Rocket Review Scrivener Review Gifts for Writers

Books By Our Writers

You've got it! Just us where to send your guide.

Enter your email to get our free 10-step guide to becoming a writer.

You've got it! Just us where to send your book.

Enter your first name and email to get our free book, 14 Prompts.

Want to Get Published?

Enter your email to get our free interactive checklist to writing and publishing a book.

How to Write a Book Review: A Comprehensive Tutorial With Examples

You don’t need to be a literary expert to craft captivating book reviews. With one in every three readers selecting books based on insightful reviews, your opinions can guide fellow bibliophiles toward their next literary adventure.

Learning how to write a book review will not only help you excel at your assigned tasks, but you’ll also contribute valuable insights to the book-loving community and turn your passion into a professional pursuit.

In this comprehensive guide,  PaperPerk  will walk you through a few simple steps to master the art of writing book reviews so you can confidently embark on this rewarding journey.

What is a Book Review?

A book review is a critical evaluation of a book, offering insights into its content, quality, and impact. It helps readers make informed decisions about whether to read the book.

Writing a book review as an assignment benefits students in multiple ways. Firstly, it teaches them how to write a book review by developing their analytical skills as they evaluate the content, themes, and writing style .

Secondly, it enhances their ability to express opinions and provide constructive criticism. Additionally, book review assignments expose students to various publications and genres, broadening their knowledge.

Furthermore, these tasks foster essential skills for academic success, like critical thinking and the ability to synthesize information. By now, we’re sure you want to learn how to write a book review, so let’s look at the book review template first.

Table of Contents

Book Review Template

How to Write a Book Review- A Step-by-Step Guide

Check out these 5 straightforward steps for composing the best book review.

Step 1: Planning Your Book Review – The Art of Getting Started

You’ve decided to take the plunge and share your thoughts on a book that has captivated (or perhaps disappointed) you. Before you start book reviewing, let’s take a step back and plan your approach. Knowing how to write a book review that’s both informative and engaging is an art in itself.

Choosing Your Literature

First things first, pick the book you want to review. This might seem like a no-brainer, but selecting a book that genuinely interests you will make the review process more enjoyable and your insights more authentic.

Crafting the Master Plan

Next, create an  outline  that covers all the essential points you want to discuss in your review. This will serve as the roadmap for your writing journey.

The Devil is in the Details

As you read, note any information that stands out, whether it overwhelms, underwhelms, or simply intrigues you. Pay attention to:

• The characters and their development
• The plot and its intricacies
• Any themes, symbols, or motifs you find noteworthy

Remember to reserve a body paragraph for each point you want to discuss.

The Key Questions to Ponder

When planning your book review, consider the following questions:

• What’s the plot (if any)? Understanding the driving force behind the book will help you craft a more effective review.
• Is the plot interesting? Did the book hold your attention and keep you turning the pages?
• Are the writing techniques effective? Does the author’s style captivate you, making you want to read (or reread) the text?
• Are the characters or the information believable? Do the characters/plot/information feel real, and can you relate to them?
• Would you recommend the book to anyone? Consider if the book is worthy of being recommended, whether to impress someone or to support a point in a literature class.
• What could be improved? Always keep an eye out for areas that could be improved. Providing constructive criticism can enhance the quality of literature.

Step 2 – Crafting the Perfect Introduction to Write a Book Review

In this second step of “how to write a book review,” we’re focusing on the art of creating a powerful opening that will hook your audience and set the stage for your analysis.

Identify Your Book and Author

Begin by mentioning the book you’ve chosen, including its  title  and the author’s name. This informs your readers and establishes the subject of your review.

Ponder the Title

Next, discuss the mental images or emotions the book’s title evokes in your mind . This helps your readers understand your initial feelings and expectations before diving into the book.

Judge the Book by Its Cover (Just a Little)

Take a moment to talk about the book’s cover. Did it intrigue you? Did it hint at what to expect from the story or the author’s writing style? Sharing your thoughts on the cover can offer a unique perspective on how the book presents itself to potential readers.

Present Your Thesis

Now it’s time to introduce your thesis. This statement should be a concise and insightful summary of your opinion of the book. For example:

“Normal People” by Sally Rooney is a captivating portrayal of the complexities of human relationships, exploring themes of love, class, and self-discovery with exceptional depth and authenticity.

Ensure that your thesis is relevant to the points or quotes you plan to discuss throughout your review.

Incorporating these elements into your introduction will create a strong foundation for your book review. Your readers will be eager to learn more about your thoughts and insights on the book, setting the stage for a compelling and thought-provoking analysis.

How to Write a Book Review: Step 3 – Building Brilliant Body Paragraphs

You’ve planned your review and written an attention-grabbing introduction. Now it’s time for the main event: crafting the body paragraphs of your book review. In this step of “how to write a book review,” we’ll explore the art of constructing engaging and insightful body paragraphs that will keep your readers hooked.

Summarize Without Spoilers

Begin by summarizing a specific section of the book, not revealing any major plot twists or spoilers. Your goal is to give your readers a taste of the story without ruining surprises.

Support Your Viewpoint with Quotes

Next, choose three quotes from the book that support your viewpoint or opinion. These quotes should be relevant to the section you’re summarizing and help illustrate your thoughts on the book.

Analyze the Quotes

Write a summary of each quote in your own words, explaining how it made you feel or what it led you to think about the book or the author’s writing. This analysis should provide insight into your perspective and demonstrate your understanding of the text.

Structure Your Body Paragraphs

Dedicate one body paragraph to each quote, ensuring your writing is well-connected, coherent, and easy to understand.

For example:

• In  Jane Eyre , Charlotte Brontë writes, “I am no bird; and no net ensnares me.” This powerful statement highlights Jane’s fierce independence and refusal to be trapped by societal expectations.
• In  Normal People , Sally Rooney explores the complexities of love and friendship when she writes, “It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys.” This quote reveals the author’s astute observations on the role of culture and class in shaping personal relationships.
• In  Wuthering Heights , Emily Brontë captures the tumultuous nature of love with the quote, “He’s more myself than I am. Whatever our souls are made of, his and mine are the same.” This poignant line emphasizes the deep, unbreakable bond between the story’s central characters.

By following these guidelines, you’ll create body paragraphs that are both captivating and insightful, enhancing your book review and providing your readers with a deeper understanding of the literary work. 

How to Write a Book Review: Step 4 – Crafting a Captivating Conclusion

You’ve navigated through planning, introductions, and body paragraphs with finesse. Now it’s time to wrap up your book review with a  conclusion that leaves a lasting impression . In this final step of “How to write a Book Review,” we’ll explore the art of writing a memorable and persuasive conclusion.

Summarize Your Analysis

Begin by summarizing the key points you’ve presented in the body paragraphs. This helps to remind your readers of the insights and arguments you’ve shared throughout your review.

Offer Your Final Conclusion

Next, provide a conclusion that reflects your overall feelings about the book. This is your chance to leave a lasting impression and persuade your readers to consider your perspective.

Address the Book’s Appeal

Now, answer the question: Is this book worth reading? Be clear about who would enjoy the book and who might not. Discuss the taste preferences and circumstances that make the book more appealing to some readers than others.

For example:  The Alchemist is a book that can enchant a young teen, but those who are already well-versed in classic literature might find it less engaging.

Be Subtle and Balanced

Avoid simply stating whether you “liked” or “disliked” the book. Instead, use nuanced language to convey your message. Highlight the pros and cons of reading the type of literature you’ve reviewed, offering a balanced perspective.

Bringing It All Together

By following these guidelines, you’ll craft a conclusion that leaves your readers with a clear understanding of your thoughts and opinions on the book. Your review will be a valuable resource for those considering whether to pick up the book, and your witty and insightful analysis will make your review a pleasure to read. So conquer the world of book reviews, one captivating conclusion at a time!

How to Write a Book Review: Step 5 – Rating the Book (Optional)

You’ve masterfully crafted your book review, from the introduction to the conclusion. But wait, there’s one more step you might consider before calling it a day: rating the book. In this optional step of “how to write a book review,” we’ll explore the benefits and methods of assigning a rating to the book you’ve reviewed.

Why Rate the Book?

Sometimes, when writing a professional book review, it may not be appropriate to state whether you liked or disliked the book. In such cases, assigning a rating can be an effective way to get your message across without explicitly sharing your personal opinion.

How to Rate the Book

There are various rating systems you can use to evaluate the book, such as:

• A star rating (e.g., 1 to 5 stars)
• A numerical score (e.g., 1 to 10)
• A letter grade (e.g., A+ to F)

Choose a rating system that best suits your style and the format of your review. Be consistent in your rating criteria, considering writing quality, character development, plot, and overall enjoyment.

Tips for Rating the Book

Here are some tips for rating the book effectively:

• Be honest: Your rating should reflect your true feelings about the book. Don’t inflate or deflate your rating based on external factors, such as the book’s popularity or the author’s reputation.
• Be fair: Consider the book’s merits and shortcomings when rating. Even if you didn’t enjoy the book, recognize its strengths and acknowledge them in your rating.
• Be clear: Explain the rationale behind your rating so your readers understand the factors that influenced your evaluation.

Wrapping Up

By including a rating in your book review, you provide your readers with additional insight into your thoughts on the book. While this step is optional, it can be a valuable tool for conveying your message subtly yet effectively. So, rate those books confidently, adding a touch of wit and wisdom to your book reviews.

Additional Tips on How to Write a Book Review: A Guide

In this segment, we’ll explore additional tips on how to write a book review. Get ready to captivate your readers and make your review a memorable one!

Hook ’em with an Intriguing Introduction

Keep your introduction precise and to the point. Readers have the attention span of a goldfish these days, so don’t let them swim away in boredom. Start with a bang and keep them hooked!

Embrace the World of Fiction

When learning how to write a book review, remember that reviewing fiction is often more engaging and effective. If your professor hasn’t assigned you a specific book, dive into the realm of fiction and select a novel that piques your interest.

Opinionated with Gusto

Don’t shy away from adding your own opinion to your review. A good book review always features the writer’s viewpoint and constructive criticism. After all, your readers want to know what  you  think!

Express Your Love (or Lack Thereof)

If you adored the book, let your readers know! Use phrases like “I’ll definitely return to this book again” to convey your enthusiasm. Conversely, be honest but respectful even if the book wasn’t your cup of tea.

Templates and Examples and Expert Help: Your Trusty Sidekicks

Feeling lost? You can always get help from formats, book review examples or online  college paper writing service  platforms. These trusty sidekicks will help you navigate the world of book reviews with ease. 

Be a Champion for New Writers and Literature

Remember to uplift new writers and pieces of literature. If you want to suggest improvements, do so kindly and constructively. There’s no need to be mean about anyone’s books – we’re all in this literary adventure together!

Criticize with Clarity, Not Cruelty

When adding criticism to your review, be clear but not mean. Remember, there’s a fine line between constructive criticism and cruelty. Tread lightly and keep your reader’s feelings in mind.

Avoid the Comparison Trap

Resist the urge to compare one writer’s book with another. Every book holds its worth, and comparing them will only confuse your reader. Stick to discussing the book at hand, and let it shine in its own light.

Top 7 Mistakes and How to Avoid Them

Writing a book review can be a delightful and rewarding experience, especially when you balance analysis, wit, and personal insights. However, some common mistakes can kill the brilliance of your review. 

In this section of “How to write a book review,” we’ll explore the top 7 blunders writers commit and how to steer clear of them, with a dash of  modernist literature  examples and tips for students writing book reviews as assignments.

Succumbing to the Lure of Plot Summaries

Mistake: Diving headfirst into a plot summary instead of dissecting the book’s themes, characters, and writing style.

Example: “The Bell Jar chronicles the life of a young woman who experiences a mental breakdown.”

How to Avoid: Delve into the book’s deeper aspects, such as its portrayal of mental health, societal expectations, and the author’s distinctive narrative voice. Offer thoughtful insights and reflections, making your review a treasure trove of analysis.

Unleashing the Spoiler Kraken

Mistake: Spilling major plot twists or the ending without providing a spoiler warning, effectively ruining the reading experience for potential readers.

Example: “In Metamorphosis, the protagonist’s transformation into a monstrous insect leads to…”

How to Avoid: Tread carefully when discussing significant plot developments, and consider using spoiler warnings. Focus on the impact of these plot points on the overall narrative, character growth, or thematic resonance.

Riding the Personal Bias Express

Mistake: Allowing personal bias to hijack the review without providing sufficient evidence or reasoning to support opinions.

Example: “I detest books about existential crises, so The Sun Also Rises was a snoozefest.”

How to Avoid: While personal opinions are valid, it’s crucial to back them up with specific examples from the book. Discuss aspects like writing style, character development, or pacing to support your evaluation and provide a more balanced perspective.

Wielding the Vague Language Saber

Mistake: Resorting to generic, vague language that fails to capture the nuances of the book and can come across as clichéd.

Example: “This book was mind-blowing. It’s a must-read for everyone.”

How to Avoid: Use precise and descriptive language to express your thoughts. Employ specific examples and quotations to highlight memorable scenes, the author’s unique writing style, or the impact of the book’s themes on readers.

Ignoring the Contextualization Compass

Mistake: Neglecting to provide context about the author, genre, or cultural relevance of the book, leaving readers without a proper frame of reference.

Example: “This book is dull and unoriginal.”

How to Avoid: Offer readers a broader understanding by discussing the author’s background, the genre conventions the book adheres to or subverts, and any societal or historical contexts that inform the narrative. This helps readers appreciate the book’s uniqueness and relevance.

Overindulging in Personal Preferences

Mistake: Letting personal preferences overshadow an objective assessment of the book’s merits.

Example: “I don’t like stream-of-consciousness writing, so this book is automatically bad.”

How to Avoid: Acknowledge personal preferences but strive to evaluate the book objectively. Focus on the book’s strengths and weaknesses, considering how well it achieves its goals within its genre or intended audience.

Forgetting the Target Audience Telescope

Mistake: Failing to mention the book’s target audience or who might enjoy it, leading to confusion for potential readers.

Example: “This book is great for everyone.”

How to Avoid: Contemplate the book’s intended audience, genre, and themes. Mention who might particularly enjoy the book based on these factors, whether it’s fans of a specific genre, readers interested in character-driven stories, or those seeking thought-provoking narratives.

By dodging these common pitfalls, writers can craft insightful, balanced, and engaging book reviews that help readers make informed decisions about their reading choices.

These tips are particularly beneficial for students writing book reviews as assignments, as they ensure a well-rounded and thoughtful analysis.!

Many students requested us to cover how to write a book review. This thorough guide is sure to help you. At Paperperk, professionals are dedicated to helping students find their balance. We understand the importance of good grades, so we offer the finest writing service , ensuring students stay ahead of the curve. So seek expert help because only Paperperk is your perfect solution!

What is the difference between a book review and a report?

Who is the target audience for book reviews and book reports, how do book reviews and reports differ in length and content, can i write professional book reviews, what are the key aspects of writing professional book reviews, how can i enhance my book-reviewing skills to write professional reviews, what should be included in a good book review.

Order Original Papers & Essays

Your First Custom Paper Sample is on Us!

Timely Deliveries

No Plagiarism & AI

100% Refund

Try Our Free Paper Writing Service

Related blogs.

Connections with Writers and support

Privacy and Confidentiality Guarantee

Average Quality Score

How to Write a Great Book Review: 6 Templates and Ideas

This post may contains affiliate links. If you click and buy we may make a commission, at no additional charge to you. Please see our disclosure policy for more details.

Whether you’ve loved or hated your recent reads, writing book reviews can be a fun and satisfying process. It’s a great way to unpack messages and information from a story, and it also helps you remember key elements of a book for much longer than you usually would. Plus, book reviews open up some interesting and exciting debates between readers with different opinions, and they also help others decide which books to read next .

Table of Contents

Where Can You Post Book Reviews?

Back in the old days, book reviews were reserved for leading publications and journals, but now, anyone can create their own book reviews, and they’re popping up almost everywhere.

Social Media

Bookworms have taken over social media, with hashtags like # bookstagram drawing in millions of readers from around the internet to share thoughts, ideas, inspiration, and of course, reviews.

Book blogs are also blowing up right now, and plenty of avid readers are making a solid income by writing and sharing their book reviews this way. You can either create your own from scratch or write guest posts and reviews for already established blogs.

Goodreads is the undisputed online home of books. It’s a great place to find inspiration for your next reads, browse other people’s book reviews, and of course, add your own reviews, too.

If you post a review of a popular book on Goodreads, it’s bound to be seen by a huge audience. Plus, it’s a great way to advertise your blog if you have one, as the Goodreads guidelines allow you to insert a link within the body of your review.

The world’s largest bookstore gets an incredible amount of traffic, so it’s one of the best places to get your reviews seen by the masses. But bear in mind that there are more rules and regulations for Amazon book reviews than on some of the other platforms listed here. Make sure you familiarize yourself with the guidelines first, or your submission could be rejected.

Booktube is a Youtube community dedicated to reviewing, discussing, and recommending books. If you’re comfortable in front of a camera, vlogging your book reviews on Booktube is an excellent alternative to the more traditional written book reviews above. It’s also a great way to get noticed by viewers around the world.

Some Booktube reviewers make their entire income from their channel, so if you’re passionate about reviewing and want to turn it into a living, this is a great avenue to explore.

Get Paid for Your Book Reviews

Some of the platforms I’ve listed above, like Booktube, Instagram, and blogging , allow you to get paid for your book reviews if you generate enough traffic, but getting to that level takes a lot of dedication, time, and patience.

Thankfully, there are plenty of websites that pay reviewers on a freelance basis. Here are three of the most popular:

Remember, each site has strict submission guidelines and requirements that you’ll need to check carefully before writing and submitting a review.

Kirkus Reviews

The Kirkus Reviews magazine, founded in 1933, is one of America’s oldest, most respected book reviewing companies.

They accept reviews around 350 words in length, and once you’re assigned the gig, you have a two-week submission deadline.

Kirkus is always on the lookout for new book reviewers, but you’ll need to prove you have experience and talent before they’ll accept your submissions. The best way to do this is to create a professional-looking portfolio that showcases your previous reviews, both paid and unpaid.

Booklist is a subgroup of the American Library Association. They feature all kinds of book reviews, both fiction and non-fiction, and publish them online and in print.

They pay their reviewers on a freelance, book-by-book basis. Their rates aren’t going to make you rich (around $12- $15 per review), but it’s a great way to gain some professional experience and build your book review portfolio without having to work for free.

Booklist has various publication outlets, such as their quarterly in-print magazine, a reader’s blog, and top book lists. Plus, they also accept pitches for book-related news and author interviews.

Online Book Club

This free-to-access community of bibliophiles has been going for over ten years, with a million active members and counting.

To join their professional freelance team, you’ll first have to submit an unpaid review to help them to determine if you’re worth hiring. If your review makes the cut, then your next submission is paid at a rate varying between $5 and $60, depending on the book’s length, the quality of the review, etc.

One of the major stipulations of Online Book Club is that your reviews are in-depth and honest. If you don’t like the book, never put a positive spin on it for the sake of it. ( The same goes for any book review platform you post on. )

It’s also worth noting that with Online Book Club, you’ll never pay for the books you review. So even if they reject your submission, you’ll still get a free book out of it.

How to Write a Book Review?

Book reviews can range from a simple tweet to a full-length essay or long-form blog post and anything in between.

As I mentioned above, some book review sites and platforms have strict guidelines and parameters to follow. But if you’re writing a book review for social media, your own blog, or any other purpose that lets you take the reins, then the following ideas will give you some help and inspiration to get started.

But before we dive in, let’s take a look at four key elements that a comprehensive book review should contain.

1. Information about the author and the name of the book

You might want to include any accolades that the author has received in the past and mention some of their previous notable works.

Also, consider the publication date; is the book a brand-new release, a few years old, or a classic from another century?

2. A summary of the plot

Writing about the plot takes skill and consideration; if your description is too thorough, you risk ruining the book for your audience with spoilers. But on the other hand, if you’re too vague on the details, your review can lack depth.

Consider your audience carefully, and if you feel like your book review contains even the slightest hint of spoilers, always add a warning at the beginning so people can decide for themselves whether to read on.

3. Your evaluation

This is the part where you get to describe what you feel about the book as a whole and give your opinion on the different elements within it. But, again, don’t be tempted to fall into the trap of positively evaluating books you didn’t actually like; no one wants to read a false review, so if you didn’t like it, explain why.

4. Your reader recommendation

Who might the book appeal to? Is it suitable for all audiences? In your opinion, is it a universal must-read, or should people avoid it?

Keep in mind that the purpose of most book reviews is to help the reader decide whether or not they would like to read it themselves. What works for you might not work for others, so consider this when writing your recommendations.

6 Book Review Templates and Ideas

1. the traditional approach.

Most traditional fiction reviews, like the ones found in newspapers and other popular publications, are based on the following format…

Introduction

The introduction is a paragraph or two which includes:

• Key information that the reader needs to know. For example, the book’s title, the author’s name, the publication date, and any relevant background information about the author and their work.
• A brief one-sentence summary of the plot. This sets the general scene of what the book is about.
• Your overall opinion of the book. Again, keep it brief. (you can delve deeper into what you liked and disliked later in the review).

This is the main body of your book review, where you break down and analyze the work. Some of the key elements you might want to examine are listed below. Approach each element one at a time to help your analysis flow.

• The characters
• The setting
• The structure of the story
• The quality of the writing

What did you notice about each one, what did you enjoy, and what did you dislike? Why?

The conclusion is usually the shortest part of a traditional book review, which usually contains:

• A summary of your thoughts about the book as a whole
• Your reader recommendation

Remember that unless you’re writing a book review for a pre-existing publication, there are no rules that you need to follow. This traditional format can be adapted to suit your own style, the book you are reviewing, and your audience.

Also Read : BEST FICTION BOOK REVIEWS

2. Social Media Book Reviews

Book reviews posted on social media tend to have a more relaxed tone than a traditional book review. Again, there are no set rules, but here are a few guidelines and suggestions for posting reviews on platforms like Instagram and Facebook.

• Include an eye-catching image

This is essential on Instagram, but whatever social media platform you’re posting on, including a great photo will draw people in to read your review.

In the Instagram world, photos of books taken directly from above are called ‘flat lays.’ You can keep it simple and just snap the front cover, or you can get creative and shoot your book flat lay against an interesting backdrop or include items related to the story.

• Break up your review into short, bite-sized paragraphs

This rule applies to most web content, but it’s even more important on social media, where everyone competes for your reader’s attention.

Big blocks of text are much harder to follow and a sure-fire way to lose your reader’s attention before they even get started. Instead, stick to short paragraphs of one, two, or three sentences, and include spaces between each one.

• Know your character limit

At just 280 characters, Twitter is by far the stingiest of the major social media platforms when it comes to the length of posts. That’s why most people choose platforms like Instagram or Facebook for book reviews. That being said, you can still use Twitter as a way of linking to them once they go live.

Instagram is considerably more generous with its 2,200-character limit, but if you have a lot to say about the book you’re reviewing, it can still be limiting.

If you want to post a more comprehensive review on social media, Facebook is your best bet; they have an upper limit of 63,206 characters.

Whichever platform you post on, remember to factor any hashtags into your character limit too.

• Keep it succinct

Book reviews on social media perform better when sentences are concise. This helps to combat the character limit issue I mentioned above and gets your point across quickly, without the fluff.

Readers on platforms like Instagram and Facebook flit from post to post, so if you don’t say what you mean in as few words as possible, you’ll risk losing your audience altogether.

• Don’t be afraid of emojis.

Love them or hate them, emojis convey mood and emotion where words can sometimes fail us. They also add an extra visual element to a post, help to break up blocks of text and keep the tone informal.

Of course, there’s no rule that you have to include emojis in your social media book reviews, but if you’re already comfortable using them elsewhere, consider incorporating them here too.

• Add a star rating

Star ratings instantly tell your audience whether you loved the book or not before they read a single word of your post. It’s also another visual element to help draw your audience in to find out more.

• Avoid spoilers

I’ve already touched on spoilers above, but it’s essential to avoid them on social media book reviews. That’s because unsuspecting users are scrolling from post to post on these platforms with no way of knowing what’s coming next. As a result, it’s very easy to read something you can’t unread.

• Consider tagging the author and publisher.

But ONLY do this if you enjoyed the book and your review is favorable. It’s not good online etiquette to tag in the creators if you’re posting a scathing critique; it’s mean-spirited, and it could lead to a social media squabble, which the internet has enough of already.

3. Goodreads and Amazon Book Reviews

Both Goodreads and Amazon allow anyone to upload a review of any book, so they’re great places to get started if you’re new to the reviewing world. Plus, you can post more in-depth and lengthy reviews than you can on social media platforms.

There are endless ways to write reviews for sites like these, but if you’re looking for a bit of inspiration, here’s a good template that will help you to flesh out your ideas.

• Star Rating

Sites like Goodreads and Amazon usually ask for a 1-5 star rating before writing your review. 3 is your baseline which translates to “pretty good.” It can be tempting to rush straight in for a 5 star if you loved a book, but where possible, try to reserve this rating for books that really blow you away.

• A Brief Synopsis

Reviews on these sites appear directly under the book listing, so generally, there’s no need to mention the author, title, or publishing details. Instead, you can dive straight into a quick overview of the plot, using the official publisher’s summary to help you if needed.

Avoid revealing any significant details or spoilers, but include enough to outline the story and give context to the rest of your review.

Talking about how the book made you feel is a good place to start. Did you learn something you didn’t know before? Was it a page-turner or a hard slog? Were there any twists you did or didn’t see coming? Mentioning the existence of a plot twist is usually deemed ok, as long as you don’t reveal what it is.

Next, examine the book’s various elements, including the characters, setting, and plot, using examples. You might even want to include some direct quotes from the book, as long as they don’t give too much away.

Just like the traditional book review format, conclude it with a summary. Are you glad you read it? Who might enjoy this book, and who should avoid it?

4. Listicle Book Reviews

Listicles are articles and blog posts structured like a numbered list. An example from the book review world is “10 reasons why you need to read X by X”.

These types of reviews are particularly well suited to blog posts, as they’re an excellent way to encourage people to click on your link compared with a less attention-grabbing traditional format.

That being said, listicle book reviews tend only to work if your feedback is positive. Using this format to review a book you hated risks alienating your audience and coming across as harsh and judgemental. Less favorable reviews are better presented in a more traditional format that explores a book’s different aspects one by one.

5. An Essay Style Analysis

An essay-style review isn’t technically a review, as it delves much deeper into the work and examines it from multiple angles.

If you’re not limited to a word count and want to dissect an author’s work, then an in-depth essay-style analysis can be a great addition to your blog. Plus, they’re generally written for people who have already read the book, so there’s no need to worry about spoilers.

But when you’re writing more than 500 words about a book, it can be easy to ramble or go off on a tangent. Here’s an example format to keep you on track:

• Include the author’s name, the title of the book, and the date of publication.
• Is the book a standalone novel or part of a series?
• What made you choose this book in the first place? Have you read any of the author’s previous work?
• Describe the cover. Does it draw you in? Is it an appropriate representation of the book as a whole?

Set the Scene

• Include an overview of the plot.
• Did you have any expectations or preconceived ideas about the book before you read it?

Your Review

Discuss the following elements one at a time. Use quotes or direct examples when talking about each one.

• Describe the geographical location, the period in time, and the environment.
• Is the setting based on reality or imagination?
• How does the setting help to add mood and tone to the story?
• Give an overview of the main characters and their backgrounds.
• Discuss the significant plot points in the story in chronological order.
• What are the conflicts, the climaxes, and the resolutions?
• How does the author use literary devices to bring meaning and life to book?
• For example, discuss any elements of foreshadowing, metaphors, symbolism, irony, or imagery.
• What are the overall themes and big ideas in the story? For example, love, death, friendship , war, and coming of age.
• What, if any, are the morals within the story?
• Are there any underlying or less prominent themes that the author is trying to portray?

Your Opinion

• Which elements were successful, and which weren’t?
• Were the characters believable? Did you want them to succeed?
• In the case of plot twists, did you see them coming?
• Are there any memorable scenes or quotes that particularly stood out to you? If so, why?
• How did the book make you feel? Did it evoke any strong emotions?
• Did the book meet your preconceived expectations?
• Were you satisfied by the ending, or did you find it frustrating?
• Summarise the plot and theme in a couple of sentences.
• Give your overall opinion. Was the book a success, a failure, or something in between?
• Include a reader recommendation, for example, “this book is a must-read for anyone with a love of dystopian science fiction.”
• Include a star rating if you wish.

6. Create Your Own Book Review Template

If you plan on becoming a regular book reviewer, it’s a good idea to create your own unique template that you can use for every book you review, whether you’re posting on a blog, website, or social media account.

You can mix and match the various elements of the review styles above to suit your preferences and the types of books you’ll be reviewing.

Creating a template unique to you helps build your authority as an independent reviewer and makes writing future reviews a lot easier.

Writing book reviews is a great way to get even more out of your reading journey. Whether you loved or hated a title, reviewing it will help you remember and process the story, and you’ll also be helping others to decide whether or not it’s worth their time, too.

And who knows, you might fall in love with writing book reviews and decide to pursue it as an additional source of income or even a new career!

Whatever your book reviewing plans and goals are, I hope the templates, tips, and ideas above will help you get started.

Do you have any advice for writing a great book review? Let me know in the comments below!

Leave a Comment Cancel reply

Purdue Online Writing Lab Purdue OWL® College of Liberal Arts

Writing a Book Review

Welcome to the Purdue OWL

This page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice.

Copyright ©1995-2018 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use.

Book reviews typically evaluate recently-written works. They offer a brief description of the text’s key points and often provide a short appraisal of the strengths and weaknesses of the work.

Readers sometimes confuse book reviews with book reports, but the two are not identical. Book reports commonly describe what happens in a work; their focus is primarily on giving an account of the major plot, characters, and/or main idea of the work. Most often, book reports are a K-12 assignment and range from 250 to 500 words. If you are looking to write a book report, please see the OWL resource, Writing a Book Report.

By contrast, book reviews are most often a college assignment, but they also appear in many professional works: magazines, newspapers, and academic journals. They typically range from 500-750 words, but may be longer or shorter. A book review gives readers a sneak peek at what a book is like, whether or not the reviewer enjoyed it, and details on purchasing the book.

Before You Read

Before you begin to read, consider the elements you will need to included in your review. The following items may help:

• Author: Who is the author? What else has s/he written? Has this author won any awards? What is the author’s typical style?
• Genre: What type of book is this: fiction, nonfiction, romance, poetry, youth fiction, etc.? Who is the intended audience for this work? What is the purpose of the work?
• Title: Where does the title fit in? How is it applied in the work? Does it adequately encapsulate the message of the text? Is it interesting? Uninteresting?
• Preface/Introduction/Table of Contents: Does the author provide any revealing information about the text in the preface/introduction? Does a “guest author” provide the introduction? What judgments or preconceptions do the author and/or “guest author” provide? How is the book arranged: sections, chapters?
• Book Jacket/Cover/Printing: Book jackets are like mini-reviews. Does the book jacket provide any interesting details or spark your interest in some way? Are there pictures, maps, or graphs? Do the binding, page cut, or typescript contribute or take away from the work?

As You Read

As you read, determine how you will structure the summary portion or background structure of your review. Be ready to take notes on the book’s key points, characters, and/or themes.

• Characters: Are there characters in the work? Who are the principal characters? How do they affect the story? Do you empathize with them?
• Themes/Motifs/Style: What themes or motifs stand out? How do they contribute to the work? Are they effective or not? How would you describe this author’s particular style? Is it accessible to all readers or just some?
• Argument: How is the work’s argument set up? What support does the author give for her/findings? Does the work fulfill its purpose/support its argument?
• Key Ideas: What is the main idea of the work? What makes it good, different, or groundbreaking?
• Quotes: What quotes stand out? How can you demonstrate the author’s talent or the feel of the book through a quote?

When You Are Ready to Write

Begin with a short summary or background of the work, but do not give too much away. Many reviews limit themselves only to the first couple of chapters or lead the reader up to the rising action of the work. Reviewers of nonfiction texts will provide the basic idea of the book’s argument without too much detailed.

The final portion of your review will detail your opinion of the work. When you are ready to begin your review, consider the following:

• Establish a Background, Remember your Audience: Remember that your audience has not read the work; with this in mind, be sure to introduce characters and principles carefully and deliberately. What kind of summary can you provide of the main points or main characters that will help your readers gauge their interest? Does the author’s text adequately reach the intended audience? Will some readers be lost or find the text too easy?
• Minor principles/characters: Deal only with the most pressing issues in the book. You will not be able to cover every character or idea. What principles/characters did you agree or disagree with? What other things might the author have researched or considered?
• Organize: The purpose of the review is to critically evaluate the text, not just inform the readers about it. Leave plenty room for your evaluation by ensuring that your summary is brief. Determine what kind of balance to strike between your summary information and your evaluation. If you are writing your review for a class, ask your instructor. Often the ratio is half and half.
• Your Evaluation: Choose one or a few points to discuss about the book. What worked well for you? How does this work compare with others by the same author or other books in the same genre? What major themes, motifs, or terms does the book introduce, and how effective are they? Did the book appeal to you on an emotional or logical way?
• Publisher/Price: Most book reviews include the publisher and price of the book at the end of the article. Some reviews also include the year published and ISBN.

When making the final touches to your review, carefully verify the following:

• Double-check the spelling of the author name(s), character names, special terms, and publisher.
• Try to read from the vantage point of your audience. Is there too much/enough summary? Does your argument about the text make sense?
• Should you include direct quotes from the reading? Do they help support your arguments? Double-check your quotes for accuracy.

Advertisement

Supported by

Book Review

H.r. mcmaster doesn’t think donald trump is very good at making deals.

A new memoir by the onetime national security adviser shows how the former president’s insecurities and weaknesses harmed U.S. foreign policy.

  By Nicolas Niarchos

19 New Books Coming in September

New novels by Sally Rooney and Richard Powers, a memoir by the first Black woman on the Supreme Court — and more.

An Impressive Monument to Christopher Isherwood, Man of Letters (and Lovers)

Though it downplays unflattering details, Katherine Bucknell’s big biography hails the 20th-century writer as an early advocate for the “chosen family.”

  By Alexandra Jacobs

Book Club: Let’s Talk About ‘My Brilliant Friend’

The first novel in Elena Ferrante’s Neapolitan quartet was just voted the best book of the 21st century. We like it too.

In This Fleet, Funny Novel, a Writer Makes Art and Sells Out in Hollywood

In “Colored Television,” by Danzy Senna, a struggling writer in a mixed-race family is seduced by the taste of luxury that comes with house-sitting.

  By Dwight Garner

The Children’s Fantasy Novel That Flew Off Britain’s Shelves

“Impossible Creatures” has prompted comparisons to Tolkien, Lewis and Pullman, but action, not awe, is Katherine Rundell’s strong suit.

  By Laura Miller

‘A Lot of Us Are Gone’: How the Push to Diversify Publishing Fell Short

Lisa Lucas was among the big hires meant to shake up the industry. Her departure, alongside other prominent Black editors and executives, has led some to question publishers’ pledge to diversify.

  By Alexandra Alter and Elizabeth Harris

The 100 Best Books of the 21st Century

As voted on by 503 book lovers — with a little help from the staff of The New York Times Book Review.

  By The New York Times Books Staff

Best-Seller Lists: Sept. 1, 2024

All the lists: print, e-books, fiction, nonfiction, children’s books and more.

Books of The Times

Brooklyn? Bah. Manhattan? Meh. A New Book Calls the Bronx the City’s Best Borough.

Ian Frazier’s history roams far and wide, on foot and in the archives, celebrating (if not romanticizing) a perennially “in between” part of New York.

His Trilogy Explored the Nazi Era. Now He Looks at the People Behind It.

In “Hitler’s People,” the renowned historian Richard J. Evans takes a biographical approach to the Third Reich.

  By Jennifer Szalai

Talent, Glamour, Money, Fraud: Welcome to the Art World

A memoir by a former high-end dealer depicts a largely unregulated industry where jet-setting extravagance goes hand in hand with guile and deceit.

Browsing Is a Pleasure in This History of the Bookstore

“People feel differently about their bookstore than they do about their grocery store or electronics store,” writes Evan Friss, in praise of a retail ritual battered by the internet.

The Woman Who Beat the Boys of the French New Wave to the Punch

A new biography surveys the prolific and pioneering career of the filmmaker Agnès Varda.

The 100 Best Books of the 21st Century: A Printable List

Print this version to keep track of what you’ve read and what you’d like to read.

By The New York Times Books Staff

Isabel Wilkerson Looks Back at ‘The Warmth of Other Suns’

The fifth in a series of conversations with authors appearing on our “Best Books of the 21st Century” list.

Can You Guess These Novels That Originally Got Bad Times Reviews?

Some works that went on to become popular literary classics first got mixed or bad reviews. Try this short quiz to see if you recognize the novels as described by their original reviewers in The Times.

By J. D. Biersdorfer

Love Them or Hate Them, This Couple Reign in Russian Literature

For Richard Pevear and Larissa Volokhonsky, translating together extended naturally from their relationship as husband and wife. Now, it is their life’s work.

By Joshua Barone

Why Were Justice Dept. Officials Scared to Talk to This Book’s Author?

In “Where Tyranny Begins,” the journalist David Rohde reveals how former President Donald Trump tried to use the federal law enforcement agency to help himself and punish his foes.

By David Greenberg

Tom Brown Jr., World-Renowned Survivalist, Is Dead at 74

For decades, he ran a school in the New Jersey wilderness that taught thousands of students how to survive and even thrive in the great outdoors.

By Clay Risen

Hettie Jones, Poet and Author Who Nurtured the Beats, Dies at 90

She and her husband, LeRoi Jones, published works by their literary friends. After he left her and became Amiri Baraka, she found her own voice.

By Penelope Green

New York Is Huge. These Books Help Cut It Down to Size.

Sometimes Protest Movements Are a Slow, Slow Burn

In “To the Success of Our Hopeless Cause,” Benjamin Nathans takes stock of the generation of dissidents who helped loosen the bonds of tyranny in the Soviet Union.

By David Kortava

Bad Decisions and Second Chances That Lead to Love: 4 New Romance Novels

Our columnist reviews books by Danica Nava, Courtney Milan, Zen Cho and Karelia and Fay Stetz-Waters.

By Olivia Waite

• Additional Resources
• A List of Writing Contests in 2022 | Exciting Prizes!
• Em Dash vs. En Dash vs. Hyphen: When to Use Which
• Book Proofreading 101: The Beginner’s Guide
• Screenplay Editing: Importance, Cost, & Self-Editing Tips
• Screenplay Proofreading: Importance, Process, & Cost
• Script Proofreading: Rates, Process, & Proofreading Tips
• Manuscript Proofreading | Definition, Process & Standard Rates
• 14 Punctuation Marks: Examples & Free Guide on How to Use
• Tips to Write Better if English Is Your Second Language
• Novel Proofreading | Definition, Significance & Standard Rates
• The Top 10 Literary Devices: Definitions & Examples
• Top 101 Bone-Chilling Horror Writing Prompts
• Top 10 Must-Try Writing Prompt Generators in 2024
• 100+ Creative Writing Prompts for Masterful Storytelling
• Best 101 Greatest Fictional Characters of All Time
• Top 10 eBook Creator Tools in 2024: Free & Paid
• 50 Timeless and Unforgettable Book Covers of All Time
• What Is Flash Fiction? Definition, Examples & Types
• Discover the Best Book Review Sites of 2024: Top 10 Picks
• 80 Enchanting Christmas Writing Prompts for Your Next Story

Your Guide to the Best eBook Readers in 2024

• Top 10 Book Review Clubs of 2024 to Share Literary Insights
• 2024’s Top 10 Self-Help Books for Better Living
• Writing Contests 2023: Cash Prizes, Free Entries, & More!
• Top 10 Book Writing Apps of 2024: Free & Paid!
• Top 10 Book Marketing Services of 2024: Features and Costs
• 10 Best Book Publishing Companies in 2024
• What Is a Book Teaser and How to Write It: Tips and Examples
• Audiobook vs. EBook vs. Paperback in 2024: (Pros & Cons)
• Top 10 Book Writing Software, Websites, and Tools in 2024
• How to Get a Literary Agent in 2024: The Complete Guide
• An Easy Guide to the Best Fonts & Font Sizes for Your Book
• Top 10 Book Promotion Services for 2024’s Authors
• Alpha Readers: Where to Find Them and Alpha vs. Beta Readers
• Author Branding 101: How to Build a Powerful Author Brand
• How to Write a Book Report | Steps, Examples & Free Template
• A Guide on How to Write a Book Synopsis: Steps and Examples

How to Write a Book Review (Meaning, Tips & Examples)

• Book Title Generators: Top 10 Book Name Generators of 2024
• 50 Top Literary Agents in the USA for Authors in 2024
• Building an Author Website: The Ultimate Guide with Examples
• Top 10 Book Printing Services for Authors in 2024
• 10 Best Free Online Grammar Checkers: Features and Ratings
• How to Write a Poem: Step-by-Step Guide to Writing Poetry
• What Is a Poem? Poetry Definition, Elements, & Examples
• 2024’s 10 Best Paraphrasing Tools for All (Free & Paid)
• Top 10 AI Detector Tools in 2024 (Free & Paid)
• Top 10 Book Editing Software in 2024 (Free & Paid)
• What Is an Adverb? Definition, Types, Differences & Examples
• What Are Large Language Models and How They Work: Explained!
• What Is an Adjective? Definition, Usage & Examples
• Top 10 Hardcover Book Printing Services [2024 Update]
• 15 Types of Poems Everyone Should Know About
• 2024’s Top 10 Setting Generators to Create Unique Settings
• Different Types of Characters in Stories That Steal the Show
• Top 10 Screenplay & Scriptwriting Software (Free & Paid)
• 10 Best AI Text Generators of 2024: Pros, Cons, and Prices
• Top 10 Must-Try Character Name Generators in 2024
• How to Track Changes in Google Docs: A 7-Step Guide
• 10 Best AI Text Summarizers in 2024 (Free & Paid)
• 2024’s 10 Best Punctuation Checkers for Error-Free Text
• Top 10 AI Humanizers of 2024 [Free & Paid Tools]
• Top 10 AI Rewriters for Perfect Text in 2024 (Free & Paid)
• 10 Best Plot Generators for Powerful Storytelling in 2024
• 11 Best Story Structures for Writers (+ Examples!)
• Writing Contests 2024: Cash Prizes & Free Entries!
• Pre-Publishing Steps
• Book Cover Design: An Introduction
• What is a Book Copyright Page?
• 8 Pre-Publishing Steps to Self-Publish Your Book
• 7 Essential Elements of a Book Cover Design
• How to Copyright Your Book in the US, UK, & India
• How to Format a Book in 2024: 7 Tips for Print & EBooks
• Beta Readers: Why You Should Know About Them in 2024
• How to Publish a Book in 2024: A Beginners’ Guide
• ISBN Guide 2024: What Is an ISBN and How to Get an ISBN
• Self Publishing Guide
• How to Hire a Book Editor in 5 Practical Steps
• Self-Publishing Options for Writers
• How to Promote Your Book Using a Goodreads Author Page
• What Makes Typesetting a Pre-Publishing Essential for Every Author?
• 4 Online Publishing Platforms To Boost Your Readership
• How to Find the Perfect Book Editor for Your Manuscript
• Typesetting: An Introduction
• Quick Guide to Novel Editing (with a Self-Editing Checklist)
• Quick Guide to Book Editing [Complete Process & Standard Rates]
• 10 Best Self-Publishing Companies of 2024: Price & Royalties
• Manuscript Editing in 2024: Elevating Your Writing for Success
• Self-Publishing vs. Traditional Publishing: 2024 Guide
• How to Publish a Book on Amazon: 8 Easy Steps [2024 Update]
• 10 Best Book Cover Design Services of 2024: Price & Ratings
• A Beginner’s Guide to Self-Publishing a Book in 2024
• Learn How Much Does It Cost to Self-Publish a Book in 2024
• What are Print-on-Demand Books? Cost and Process in 2024
• What Are the Standard Book Sizes for Publishing Your Book?
• Top 10 EBook Conversion Services for 2024’s Authors
• How to Copyright a Book in 2024 (Costs + Free Template)
• How to Market Your Book on Amazon to Maximize Sales in 2024
• Traditional Publishing
• How to start your own online publishing company?
• 8 Tips To Write Appealing Query Letters
• How to Write a Query Letter (Examples + Free Template)

Writing Tips

• How to Create Depth in Characters
• Starting Your Book With a Bang: Ways to Catch Readers’ Attention
• How to Write a Powerful Plot in 12 Steps
• Research for Fiction Writers: A Complete Guide
• Short stories: Do’s and don’ts
• How to Write Dialogue: 7 Rules, 5 Tips & 65 Examples
• How to Write a Novel in Past Tense? 3 Steps & Examples
• What Are Foil and Stock Characters? Easy Examples from Harry Potter
• How To Write Better Letters In Your Novel
• On Being Tense About Tense: What Verb Tense To Write Your Novel In
• How To Create A Stellar Plot Outline
• How to Punctuate Dialogue in Fiction
• On Being Tense about Tense: Present Tense Narratives in Novels
• The Essential Guide to Worldbuilding [from Book Editors]
• What Is Point of View: 1st, 2nd & 3rd POV with Examples
• How to Create Powerful Conflict in Your Story | Useful Examples
• How to Write a Book: A Step-by-Step Guide
• How to Write a Short Story: 6 Steps & Examples
• How To Craft a Murder Mystery Story
• How to Write a Novel: 8 Steps to Help You Start Writing
• What Is a Stock Character? 150 Examples from 5 Genres
• How to Write a Children’s Book: An Easy Step-by-Step Guide
• Joseph Campbell’s Hero’s Journey: Worksheet & Examples
• Novel Outline: A Proven Blueprint [+ Free Template!]
• Character Development: 7-Step Guide for Writers
• Foil Character: Definition, History, & Examples
• What Is NaNoWriMo? Top 7 Tips to Ace the Writing Marathon
• What Is the Setting of a Story? Meaning + 7 Expert Tips
• Theme of a Story | Meaning, Common Themes & Examples
• 5 Elements of a Short Story & 6 Stages of a Plot
• What Is a Blurb? Meaning, Examples & 10 Expert Tips
• What Is Show, Don’t Tell? (Meaning, Examples & 6 Tips)
• How to Write a Book Summary: Example, Tips, & Bonus Section
• How to Write a Book Description (Examples + Free Template)
• 10 Best Free AI Resume Builders to Create the Perfect CV
• A Complete Guide on How to Use ChatGPT to Write a Resume
• 10 Best AI Writer Tools Every Writer Should Know About
• 15 Best ATS-Friendly ChatGPT Prompts for Resumes in 2024
• How to Write a Book Title (15 Expert Tips + Examples)
• The 10 Best AI Story Generators: Features, Usage & Benefits
• 100 Novel and Book Ideas to Start Your Book Writing Journey
• Exploring Writing Styles: Meaning, Types, and Examples
• Mastering Professional Email Writing: Steps, Tips & Examples
• How to Write a Screenplay: Expert Tips, Steps, and Examples
• Business Proposal Guide: How to Write, Examples and Template
• Different Types of Resumes: Explained with Tips and Examples
• How to Create a Memorable Protagonist (7 Expert Tips)
• How to Write an Antagonist (Examples & 7 Expert Tips)

Writing for the Web: 7 Expert Tips for Web Content Writing

• What are the Parts of a Sentence? An Easy-to-Learn Guide
• How to Avoid AI Detection in 2024 (6 Proven Techniques!)
• How to Avoid Plagiarism in 2024 (10 Effective Strategies!)
• 10 Best Spell Checkers of 2024: Features, Accuracy & Ranking
• What Is Climax Of A Story & How To Craft A Gripping Climax
• What Is a Subject of a Sentence? Meaning, Examples & Types
• Object of a Sentence: Your Comprehensive Guide
• First-person Point of View: What Is It and Examples
• Second-person Point of View: What Is It and Examples

Still have questions? Leave a comment

Add Comment

Checklist: Dissertation Proposal

Enter your email id to get the downloadable right in your inbox!

Examples: Edited Papers

Need editing and proofreading services.

• Tags: Fiction , Language , Nonfiction , Writing Tips

Want to write a perfect book review that readers enjoy? Discover how to pen a book review in 6 easy steps. To help you understand, we’ve included amazing examples of book reviews. 

We’ve also answered many questions you might have such as: How long should a book review be? How to start a book review? How to conclude a book review? For beginners, we’ve also mentioned the basic book review format. So without further delay, let’s begin! 

Get a professional review for your book! Learn more

What is a book review? 

A book review is the critical analysis of the book’s content and significance. It includes an evaluation of the plot, character development, and writing style. A good book review highlights the book’s strengths and weaknesses. Reviewers often include quotes to support the opinions mentioned in the book review. A book review is different from a book report which objectively describes the book’s main content. 

Now that we know what is a book review, let’s understand their length. 

How long is a book review? 

The length of a book review can vary, depending on the purpose and the medium used. Book reviews in newspapers, magazines, and journals can range from 500-2000 words. In contrast, book reviews by readers on platforms like Goodreads, Amazon, Facebook, or Google can range from 50-500 words. 

Now let us see the 6 easy steps to write book reviews. Whether you’re writing book reviews for your assignment or book promotion, these steps will help! 

How to write a book review

• Note down the key points- This is an important step before writing a book review. Jot down your analysis about the characters, themes, plot, and your personal view. Also, note down the book title, author’s name, and any relevant information about the book. 
• Start with a strong introduction- Mention the author’s name, book title, themes, and main characters in the introduction. The introduction should give a very brief book summary without giving spoilers. 
• Analyze the book- Discuss the book’s strong points and weaknesses. This can include your opinion on the narrative pacing, writing style, character development , and structure. You can also compare it with books belonging to a similar genre. To enhance the review, you can also use relevant quotes to support your perspective. 
• Reflect on your experience- Describe how the book makes you feel. Did you find it engaging or was it slow-paced? Were you happy with the climax or did you expect more? 
• Conclude the review- Summarize the important points and end the review with a final evaluative statement about the book. This is where you can state whether you will recommend the book to readers or not. This is an important step in writing a book review. 
• Rate the book (Optional)- Depending on the platform requirements, you can rate the book out of 5 or 10. 

Now that we’ve seen how to write a book review, let’s see five amazing tips to create the perfect book review.

Top 5 tips to create an amazing book review 

Here are the top 5 tips to create the perfect book review: 

• Start with an attractive hook- Begin the review with an intriguing question or statement, capturing the book’s essence. For example, “In ‘The Enchanted Labyrinth’, every page takes you into a magical world of intrigue and wonder. 
• Discuss originality- Write what makes the book unique as compared to other books in the same genre. If the book highlights an unexplored theme or gives a unique take on a common theme, you can mention it in the book review. 
• Analyze worldbuilding- Review the fictional world created by the author (Its depth, complexity and detail). You can discuss how the setting of the story affected your experience as a reader. This is a good practice, especially while reviewing fantasy and science fiction novels. 
• Evaluate key themes- Discuss how the central themes of the story are seamlessly woven into the narrative. You can do this by highlighting how the characters’ relationships and choices reflect the themes. Describe how themes add depth to the story. 
• Edit and proofread- Once you’ve completed your book review, thoroughly check it. Correct any grammatical mistakes , spelling, and word choice errors. 

Book review examples

1. a thousand splendid suns by khaled hosseini .

“A Thousand Splendid Suns,” by Khaled Hosseini, is a profoundly moving story set against the backdrop of Afghan history. This novel tells the tale of two women, Mariam and Laila, whose lives become entwined in a harrowing journey of friendship, suffering, and redemption.

Mariam, an illegitimate child, suffers from stigma and rejection from an early age. Her tragic story evolves when she is forced into an abusive marriage with Rasheed, a brutish shoemaker. Laila, born generations later, is initially a symbol of the new Afghanistan – hopeful and educated. Their shared struggles against the backdrop of Afghanistan crumbling under Taliban rule form the novel’s heart.

Hosseini’s writing is evocative, capturing the stark realities in Afghanistan while also highlighting the profound resilience of his characters. The author masterfully portrays the emotional landscapes of Mariam and Laila, making them vividly relatable.

“A Thousand Splendid Suns” is more than a story of survival; it is a testament to the unyielding strength of human connection and endurance. This book is a must-read, not only for its storytelling brilliance but for its deep exploration of the often-unheard voices of Afghan women. It’s a heartbreaking, yet ultimately hopeful novel that stays with you long after the last page.

Now let’s see another example of a book review. 

2. A Man Called Ove by Fredrik Backman 

“A Man Called Ove ” by Fredrik Backman is a heartwarming novel that takes readers on an emotional journey of its titular character, Ove. At first glance, Ove appears to be nothing more than a grumpy old man. However, as the story unfolds, we discover that there is so much more to Ove than meets the eye.

The novel skillfully explores themes of loss, grief, and the human capacity for change. Ove’s journey is one of rediscovery and redemption, as he learns to open his heart to the people around him. Backman’s writing is both poignant and humorous, capturing the essence of human relationships and the power of community.

Ove is a character who is easy to relate to, with his quirks making him all the more endearing. As we delve into his past through flashbacks, we understand the events that shaped him. These glimpses provide depth and complexity to his character, making him incredibly three-dimensional.

The supporting characters are equally charming and well-developed. Parvaneh, the pregnant neighbor, and her family are a refreshing contrast to Ove’s gruff exterior. Their interactions with Ove are both heartwarming and hilarious, playing an important role in his transformation.

What makes “A Man Called Ove” truly exceptional is its ability to elicit a wide range of emotions from its readers. It can make you laugh out loud on one page and bring tears to your eyes on the next. The story is a testament to the importance of human connection.

In conclusion, “A Man Called Ove” is a beautifully written novel that explores the themes of love, friendship, and the capacity for change. Fredrik Backman’s storytelling is both touching and humorous, and his characters are unforgettable. For those who appreciate heartwarming stories that inspire the soul, this book is a must-read.”

After seeing these book review examples, let’s see a simple book review template you can use. 

Book review template

The following template highlights a basic book review format and book review outline. You can use this template for reference. 

We hope this book review template and book review examples have inspired you to start writing. Now that you’ve understood how to write a good book review, you can begin brainstorming. Want to get a polished, professional book review? At PaperTrue, our team of experts can help you craft the perfect review for your book. Get in touch with us and forget all stress about how to do a book review. 

You can also take advantage of our self-publishing services like editing, book cover design, securing an ISBN, and creating a copyright page. This ensures that your book is ready for publication. Whether you want a simple edit or an end-to-end service package, we’re here to help! 

Here are some other articles that you might find interesting: 

• Top 10 Best Print-on-Demand Book Companies in 2024
• Top 10 Book Formatting Software for Authors in 2024
• What Is a Blurb? Meaning, Examples & 10 Expert Tips

Frequently Asked Questions

What is the purpose of a book review, what makes a good book review, how to end a book review, how to structure a book review, where to write a book review.

Found this article helpful?

Leave a Comment: Cancel reply

Your email address will not be published.

Your vs. You’re: When to Use Your and You’re

Your organization needs a technical editor: here’s why.

Subscribe to our Newsletter

Get carefully curated resources about writing, editing, and publishing in the comfort of your inbox.

How to Copyright Your Book?

If you’ve thought about copyrighting your book, you’re on the right path.

© 2024 All rights reserved

• Terms of service
• Privacy policy
• Fiction Writing Tips
• Dissertation Writing Guide
• Essay Writing Guide
• Academic Writing and Publishing
• Citation and Referencing
• Partner with us
• Annual report
• Website content
• Marketing material
• Job Applicant
• Cover letter
• Resource Center
• Case studies

How to Write a Book Review

Read any good books lately? Want to share your thoughts about them? A book review is a great way to shed insight and give your opinion on a book you’ve read, whether it’s nonfiction, a mystery novel, or a collection of poems.

Give your writing extra polish Grammarly helps you communicate confidently Write with Grammarly

Table of contents

What is a book review, how do you write a good book review, 4 tips for writing a book review, book review outline examples, book review faqs.

A book review is an honest reaction to a book that generally analyzes its themes, plotline, characters, dialogue, and use of literary devices (if applicable). Through this analysis, written in the first person, a reviewer combines their opinions with insights about the book, sometimes comparing it to other books by the same author or books in the same genre.

Book reviews have a few different purposes. As an academic assignment, a book review requires students to build their analytical skills by engaging with the text and writing a coherent critique. Book reviews on blogs and in magazines often serve to tell readers what to expect from a book so they can decide whether they’re interested in reading it. This type of book review gives readers a preview of a book’s content, themes, and storyline.

Think of your book review as a conversation with a friend: You want to share your opinion and insights without giving everything away. Don’t spoil the book’s ending or its surprises, but do discuss how effectively you think the writing navigated its literary elements —such as plot, theme, and conflict—throughout the text.

How long is a book review?

Generally, book reviews aren’t long. In most cases, they’re between 500 and 750 words. Keep your book review concise and focus on the book’s big-picture aspects, such as its character development, pacing, reliance on tropes, and use of literary devices. Summarize the plot, then focus on analyzing the book. Mention what you did and didn’t like, and support these positions with quotations from the book. An effective book analysis is more than sharing your opinion; it’s interacting with the text and demonstrating that you’ve read it critically and formed a well-developed opinion about it.

How are book reviews structured?

Book reviews tend to follow similar layouts to other kinds of essays. An essay reviewing a book should begin with an introduction paragraph that summarizes the plot and includes the reviewer’s thesis statement. Following the introduction, a book review should have one body paragraph per point it critiques. For example, a review may have three body paragraphs, one that discusses the book’s themes, one that discusses its characters, and one that discusses the author’s use of metaphor. A book review ends with a conclusion paragraph that summarizes the points made in the body paragraphs and shares any final thoughts the reviewer has about the book. It may include a rating, like giving the book three stars out of five.

1. Avoid repetition

A book review is its own piece of writing . By that, we mean your book review shouldn’t just repeat the book’s plot. It should add a new perspective about the book.

2. Be concise

Don’t ramble in your book review. Keep it focused on your analysis of the book since that’s the content your readers are looking for.

3. Support your claims and positions

Sharing your opinion is a significant part of writing a book review, but be sure to support your positions with insights from the book—as you’d support any claims you made in an academic essay with evidence from your sources.

4. Proofread

Before you upload, send, or submit your book review, proofread it. Read it with a critical eye to catch any grammatical or spelling mistakes you may have missed in a previous round of edits.

Persepolis by Marjane Satrapi

A powerful look at life during and following the iranian revolution.

In the introduction paragraph, the reviewer summarizes the plot of Marjane Satrapi’s Persepolis , briefly describes its protagonist, and provides a general statement about their thoughts on the book.

Satrapi’s color choices

In this section, the reviewer discusses the author’s choice to tell the story through black-and-white illustrations, analyzing the mood these illustrations create and the role they play in telling the story.

Hearing an adult’s story through a child’s narration

In this section, the reviewer discusses the author’s choice to tell the story through the voice of its child protagonist. They may discuss whether the author successfully captured a child’s voice and how the protagonist’s vocabulary and perspective shaped how the reader engaged with the plot.

Does Persepolis successfully tell its story?

In the conclusion paragraph, the reviewer summarizes the content of the previous body paragraphs and includes succinct statements of their thoughts about each. The reviewer then reiterates their thesis statement from the introduction and includes a few more of their thoughts about the book as a whole.

Rich Dad Poor Dad by Robert Kiyosaki

Good advice.

In the introduction paragraph, the reviewer summarizes the plot of Robert Kiyosaki’s Rich Dad Poor Dad and the goals Kiyosaki set out to meet in writing it. This paragraph may also touch on how well known and beloved the book is and how it’s influenced many people since its initial release. This paragraph ends with a thesis statement summarizing the reviewer’s opinion on whether Rich Dad Poor Dad gives effective advice.

Who is it for?

In this section, the reviewer discusses the target audience for Rich Dad Poor Dad and their opinion on whether it effectively speaks to that audience. The reviewer may support their position by comparing it to other personal-finance books.

Does the narrative work?

Rich Dad Poor Dad is characterized by its narrative style as it explains financial concepts through a story. In this section, the reviewer may examine this narrative choice, analyzing how it affects the messages delivered and offering their own opinion on the style’s effectiveness.

How does Rich Dad Poor Dad pay off?

In the conclusion paragraph, the reviewer restates their thesis statement and summarizes the points they made in the review’s body paragraphs. They may end the review with a recommendation that the reader either read or skip Rich Dad Poor Dad .

A book review is an honest reaction to a book that generally analyzes its themes, plotline, characters, dialogue, and use of literary devices (if applicable). Book reviews are written in the first person and combine their authors’ opinions with insights about the book.

How long should a book review be?

A book review should be about 500 to 750 words.

What should a book review include?

• Plot summary
• Thesis statement
• Critical analysis supported by quotations from the book
• Reviewer’s opinion based on their critical analysis

How To Write A Book Review: 6 Steps To Take

Whether you’re a student, a novice blogger, or just on Goodreads, these are 6 steps for how to write a book review for school and beyond.

Adiba Jaigirdar

Adiba Jaigirdar is an Irish-Bangladeshi writer, poet, and teacher. She resides in Dublin, Ireland and has an MA in postcolonial studies. She is currently working on her own postcolonial novel and hopes that someday it will see the light of day outside of her computer screen. Twitter:  @adiba_j

View All posts by Adiba Jaigirdar

Whether you’re a student, a novice blogger, or just someone looking to become a more active user of Goodreads, writing a book review is an important skill to have! Here are six steps for how to write a book review for school and beyond. 

1. Begin with a brief summary of the book

This is probably the best way to introduce any review because it gives context. But make sure to not go into too much detail. Keep it short and sweet since an official summary can be found through a quick google search!

2. Pick out the most important aspects of the book

I usually break this down with character, world-building, themes, and plot. But this might vary between books, genres, and your tastes!

Dedicate a paragraph to each of these important aspects, discussing how well the author dealt with it, along with what you enjoyed and what you didn’t enjoy.

3. Include brief quotes as examples

Including quotes is always a great idea, because it gives examples for everything that you’re saying! If your review talks about a character being particularly witty, a witty line from the character lets your readers see exactly what kind of witty character you’re dealing with here.

But be careful: lengthy quotes can take up big chunks of space and overpower your review. Short quotes will usually get your points across while letting your work shine through.

4. Write a conclusion that summarises everything

Like your introduction, keep your conclusion short and sweet! It should bring up the main points of your review, along with your overall opinion of the book.

5. Find similar books

A great way to wrap up a review is to find similar books to the one you’re reviewing. So you can say, “if you were a fan of X book, I think you’ll definitely like this one!”

You can also be more specific, looking at the exact things that might make two books similar. So you can suggest something like…“if you liked that the main character in X book was a kick-ass superhero, then you’ll love the main character of this book!”

6. Give it a star rating

A star rating is obviously encouraged in a lot of review sites, but they’re not necessary! If you do want to give a star rating, you can go the conventional “out of five/ten” route. You could also try something slightly less conventional, and break down your star-rating into different categories for character/plot/world-building, etc.

Now go forth and review! And share any tips you have for how to write a book review in the comments.

You Might Also Like

Book Reviews

What this handout is about.

This handout will help you write a book review, a report or essay that offers a critical perspective on a text. It offers a process and suggests some strategies for writing book reviews.

What is a review?

A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms. This handout will focus on book reviews. For a similar assignment, see our handout on literature reviews .

Above all, a review makes an argument. The most important element of a review is that it is a commentary, not merely a summary. It allows you to enter into dialogue and discussion with the work’s creator and with other audiences. You can offer agreement or disagreement and identify where you find the work exemplary or deficient in its knowledge, judgments, or organization. You should clearly state your opinion of the work in question, and that statement will probably resemble other types of academic writing, with a thesis statement, supporting body paragraphs, and a conclusion.

Typically, reviews are brief. In newspapers and academic journals, they rarely exceed 1000 words, although you may encounter lengthier assignments and extended commentaries. In either case, reviews need to be succinct. While they vary in tone, subject, and style, they share some common features:

• First, a review gives the reader a concise summary of the content. This includes a relevant description of the topic as well as its overall perspective, argument, or purpose.
• Second, and more importantly, a review offers a critical assessment of the content. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not it was effective or persuasive, and how it enhanced your understanding of the issues at hand.
• Finally, in addition to analyzing the work, a review often suggests whether or not the audience would appreciate it.

Becoming an expert reviewer: three short examples

Reviewing can be a daunting task. Someone has asked for your opinion about something that you may feel unqualified to evaluate. Who are you to criticize Toni Morrison’s new book if you’ve never written a novel yourself, much less won a Nobel Prize? The point is that someone—a professor, a journal editor, peers in a study group—wants to know what you think about a particular work. You may not be (or feel like) an expert, but you need to pretend to be one for your particular audience. Nobody expects you to be the intellectual equal of the work’s creator, but your careful observations can provide you with the raw material to make reasoned judgments. Tactfully voicing agreement and disagreement, praise and criticism, is a valuable, challenging skill, and like many forms of writing, reviews require you to provide concrete evidence for your assertions.

Consider the following brief book review written for a history course on medieval Europe by a student who is fascinated with beer:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600, investigates how women used to brew and sell the majority of ale drunk in England. Historically, ale and beer (not milk, wine, or water) were important elements of the English diet. Ale brewing was low-skill and low status labor that was complimentary to women’s domestic responsibilities. In the early fifteenth century, brewers began to make ale with hops, and they called this new drink “beer.” This technique allowed brewers to produce their beverages at a lower cost and to sell it more easily, although women generally stopped brewing once the business became more profitable.

The student describes the subject of the book and provides an accurate summary of its contents. But the reader does not learn some key information expected from a review: the author’s argument, the student’s appraisal of the book and its argument, and whether or not the student would recommend the book. As a critical assessment, a book review should focus on opinions, not facts and details. Summary should be kept to a minimum, and specific details should serve to illustrate arguments.

Now consider a review of the same book written by a slightly more opinionated student:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 was a colossal disappointment. I wanted to know about the rituals surrounding drinking in medieval England: the songs, the games, the parties. Bennett provided none of that information. I liked how the book showed ale and beer brewing as an economic activity, but the reader gets lost in the details of prices and wages. I was more interested in the private lives of the women brewsters. The book was divided into eight long chapters, and I can’t imagine why anyone would ever want to read it.

There’s no shortage of judgments in this review! But the student does not display a working knowledge of the book’s argument. The reader has a sense of what the student expected of the book, but no sense of what the author herself set out to prove. Although the student gives several reasons for the negative review, those examples do not clearly relate to each other as part of an overall evaluation—in other words, in support of a specific thesis. This review is indeed an assessment, but not a critical one.

Here is one final review of the same book:

One of feminism’s paradoxes—one that challenges many of its optimistic histories—is how patriarchy remains persistent over time. While Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 recognizes medieval women as historical actors through their ale brewing, it also shows that female agency had its limits with the advent of beer. I had assumed that those limits were religious and political, but Bennett shows how a “patriarchal equilibrium” shut women out of economic life as well. Her analysis of women’s wages in ale and beer production proves that a change in women’s work does not equate to a change in working women’s status. Contemporary feminists and historians alike should read Bennett’s book and think twice when they crack open their next brewsky.

This student’s review avoids the problems of the previous two examples. It combines balanced opinion and concrete example, a critical assessment based on an explicitly stated rationale, and a recommendation to a potential audience. The reader gets a sense of what the book’s author intended to demonstrate. Moreover, the student refers to an argument about feminist history in general that places the book in a specific genre and that reaches out to a general audience. The example of analyzing wages illustrates an argument, the analysis engages significant intellectual debates, and the reasons for the overall positive review are plainly visible. The review offers criteria, opinions, and support with which the reader can agree or disagree.

Developing an assessment: before you write

There is no definitive method to writing a review, although some critical thinking about the work at hand is necessary before you actually begin writing. Thus, writing a review is a two-step process: developing an argument about the work under consideration, and making that argument as you write an organized and well-supported draft. See our handout on argument .

What follows is a series of questions to focus your thinking as you dig into the work at hand. While the questions specifically consider book reviews, you can easily transpose them to an analysis of performances, exhibitions, and other review subjects. Don’t feel obligated to address each of the questions; some will be more relevant than others to the book in question.

• What is the thesis—or main argument—of the book? If the author wanted you to get one idea from the book, what would it be? How does it compare or contrast to the world you know? What has the book accomplished?
• What exactly is the subject or topic of the book? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? What is the approach to the subject (topical, analytical, chronological, descriptive)?
• How does the author support their argument? What evidence do they use to prove their point? Do you find that evidence convincing? Why or why not? Does any of the author’s information (or conclusions) conflict with other books you’ve read, courses you’ve taken or just previous assumptions you had of the subject?
• How does the author structure their argument? What are the parts that make up the whole? Does the argument make sense? Does it persuade you? Why or why not?
• How has this book helped you understand the subject? Would you recommend the book to your reader?

Beyond the internal workings of the book, you may also consider some information about the author and the circumstances of the text’s production:

• Who is the author? Nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the biographer was the subject’s best friend? What difference would it make if the author participated in the events they write about?
• What is the book’s genre? Out of what field does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or literary standard on which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know. Keep in mind, though, that naming “firsts”—alongside naming “bests” and “onlys”—can be a risky business unless you’re absolutely certain.

Writing the review

Once you have made your observations and assessments of the work under review, carefully survey your notes and attempt to unify your impressions into a statement that will describe the purpose or thesis of your review. Check out our handout on thesis statements . Then, outline the arguments that support your thesis.

Your arguments should develop the thesis in a logical manner. That logic, unlike more standard academic writing, may initially emphasize the author’s argument while you develop your own in the course of the review. The relative emphasis depends on the nature of the review: if readers may be more interested in the work itself, you may want to make the work and the author more prominent; if you want the review to be about your perspective and opinions, then you may structure the review to privilege your observations over (but never separate from) those of the work under review. What follows is just one of many ways to organize a review.

Introduction

Since most reviews are brief, many writers begin with a catchy quip or anecdote that succinctly delivers their argument. But you can introduce your review differently depending on the argument and audience. The Writing Center’s handout on introductions can help you find an approach that works. In general, you should include:

• The name of the author and the book title and the main theme.
• Relevant details about who the author is and where they stand in the genre or field of inquiry. You could also link the title to the subject to show how the title explains the subject matter.
• The context of the book and/or your review. Placing your review in a framework that makes sense to your audience alerts readers to your “take” on the book. Perhaps you want to situate a book about the Cuban revolution in the context of Cold War rivalries between the United States and the Soviet Union. Another reviewer might want to consider the book in the framework of Latin American social movements. Your choice of context informs your argument.
• The thesis of the book. If you are reviewing fiction, this may be difficult since novels, plays, and short stories rarely have explicit arguments. But identifying the book’s particular novelty, angle, or originality allows you to show what specific contribution the piece is trying to make.
• Your thesis about the book.

Summary of content

This should be brief, as analysis takes priority. In the course of making your assessment, you’ll hopefully be backing up your assertions with concrete evidence from the book, so some summary will be dispersed throughout other parts of the review.

The necessary amount of summary also depends on your audience. Graduate students, beware! If you are writing book reviews for colleagues—to prepare for comprehensive exams, for example—you may want to devote more attention to summarizing the book’s contents. If, on the other hand, your audience has already read the book—such as a class assignment on the same work—you may have more liberty to explore more subtle points and to emphasize your own argument. See our handout on summary for more tips.

Analysis and evaluation of the book

Your analysis and evaluation should be organized into paragraphs that deal with single aspects of your argument. This arrangement can be challenging when your purpose is to consider the book as a whole, but it can help you differentiate elements of your criticism and pair assertions with evidence more clearly. You do not necessarily need to work chronologically through the book as you discuss it. Given the argument you want to make, you can organize your paragraphs more usefully by themes, methods, or other elements of the book. If you find it useful to include comparisons to other books, keep them brief so that the book under review remains in the spotlight. Avoid excessive quotation and give a specific page reference in parentheses when you do quote. Remember that you can state many of the author’s points in your own words.

Sum up or restate your thesis or make the final judgment regarding the book. You should not introduce new evidence for your argument in the conclusion. You can, however, introduce new ideas that go beyond the book if they extend the logic of your own thesis. This paragraph needs to balance the book’s strengths and weaknesses in order to unify your evaluation. Did the body of your review have three negative paragraphs and one favorable one? What do they all add up to? The Writing Center’s handout on conclusions can help you make a final assessment.

Finally, a few general considerations:

• Review the book in front of you, not the book you wish the author had written. You can and should point out shortcomings or failures, but don’t criticize the book for not being something it was never intended to be.
• With any luck, the author of the book worked hard to find the right words to express her ideas. You should attempt to do the same. Precise language allows you to control the tone of your review.
• Never hesitate to challenge an assumption, approach, or argument. Be sure, however, to cite specific examples to back up your assertions carefully.
• Try to present a balanced argument about the value of the book for its audience. You’re entitled—and sometimes obligated—to voice strong agreement or disagreement. But keep in mind that a bad book takes as long to write as a good one, and every author deserves fair treatment. Harsh judgments are difficult to prove and can give readers the sense that you were unfair in your assessment.
• A great place to learn about book reviews is to look at examples. The New York Times Sunday Book Review and The New York Review of Books can show you how professional writers review books.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Drewry, John. 1974. Writing Book Reviews. Boston: Greenwood Press.

Hoge, James. 1987. Literary Reviewing. Charlottesville: University Virginia of Press.

Sova, Dawn, and Harry Teitelbaum. 2002. How to Write Book Reports , 4th ed. Lawrenceville, NY: Thomson/Arco.

Walford, A.J. 1986. Reviews and Reviewing: A Guide. Phoenix: Oryx Press.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

Make a Gift

Looking to publish? Meet your dream editor, designer and marketer on Reedsy.

Find the perfect designer for your next book

1 million authors trust the professionals on Reedsy. Come meet them.

Guides • Book Design

Last updated on Jan 21, 2022

The Elements of a Book Cover: A Deeper Dive

About the author.

Reedsy's editorial team is a diverse group of industry experts devoted to helping authors write and publish beautiful books.

About Martin Cavannagh

Head of Content at Reedsy, Martin has spent over eight years helping writers turn their ambitions into reality. As a voice in the indie publishing space, he has written for a number of outlets and spoken at conferences, including the 2024 Writers Summit at the London Book Fair.

About Raúl Gil

Illustrator and designer passionate about cover design and visual identity.

Ever wondered what makes a successful book cover ? While authors and designers obviously want their covers to stand out on the shelves, there are many standard features that you'll find on pretty much any book cover.

In this post, we'll dive into the elements that make up a cover design to better understand their crucial role in contributing to a book's appeal .

Front cover: the moneymaker 

Let's be honest; we all judge books by their covers, and for a good reason! The front cover should be designed to reflect its genre and hint at what it's actually about. It's the first thing a reader will see, making it your number one marketing tool. 

The crucial elements of a front cover are the title and the author's name, but those alone would hardly jump out at you from the shelves. Cover art, color scheme, and typography are just a few other elements that will make your book stand out to potential readers. 

Your cover art will be one of the most critical aspects of your book cover design — different styles and trends are closely associated with specific genres, so it's important to get it right. This is why it's essential to hire a professional cover designer who knows what's fit for the market you want to sell to . 

Adding photos or illustrations to the cover of a book can help offer some insight into what the book is about and signal to a reader whether or not they'd like it. The designs for the two books below do a great job of communicating genre, tone, and content.

The log cabin set in the moody, moon-lit forest for Hidden Beneath the Pines (above) simply screams "mystery-thriller" and tells the reader where the story will be set. On the other hand, the catalog-perfect room on the cover of Messy Bed, Messy Head immediately connects to the book's content — and offers a glimpse of what the reader might aspire to.

However, some covers are more abstract and give an idea of their concept, rather than plot or specific locations and characters. Reedsy designer George Stevens's cover for The Pain Habit takes author Drew Coverdale's metaphor of a 'journey to recovery' and represents it as a trail map up a mountain. 

Through George's use of color and playful graphics, he's able to represent a topic that's tied up in trauma and present it in a hopeful light.  

The cover below (by Reedsy designer Patrick Knowles ) uses bespoke illustrations to capture the unique story in Goran Baba Ali's The Glass Wall.

This design bridges the gap between literal and abstract cover art by depicting the book's characters and settings and the book's complex theme. The book deals with the vast inequalities and challenges facing immigrants escaping conflict in the Middle East. To offset the challenging subject matter, Knowles and Ali ensured that the cover remained accessible, rather than too abstract or metaphorical.

While you can just use stock images to create your cover, illustrations tailored to your book will convey your message much better and help it stand out more, especially if you're putting it out as an ebook that could so easily be scrolled past.

Type hierarchy 

The title of the book and the author's name aren't carelessly slapped onto the book's cover without any thought. The font, size, and placement of any text are key elements of book cover design — not only can it be used to catch a reader's eye and guide them to the most essential information. That's why the names of well-known authors are often more prominent than the title of their book, while debut authors will put more focus on an intriguing title.

Taking the reader's eye on a journey across the cover is especially important on nonfiction covers. More often than not, they'll have a subtitle to clarify what the book is specifically about. The title 'Our Road to Damascus' , for example, could be for almost any kind of book — anything from adventure or fantasy to religion and memoir would fit. It's the subtitle, '7 Lessons for a Life of Purpose and Meaning,' that tells us it's a self-help book. 

Testimonial 

If you've already got some reviews for your book you might want to include a short testimonial on the front cover, too — especially if they're from a recognizable or reputable source. The cover above omits photos or illustrations in favor of a striking background, bold title, and a short recommendation from another author.

Spine: I bet you look good on the bookshelf

The spine is the center of the book's cover, where all pages are bound. It holds your book together and, if done well, will make your book stand out on the bookshelf. 

The essentials for a book's spine are the book's title and the author's name — these should be in the same font as the main text on the front cover. In the example below from Patrick Knowles, the spine continues the front cover and re-utilizes one of the graphical elements. 

Back cover: the (not-so) boring bits 

Once a front cover has caught the reader’s attention, it's up to the back cover to convince them to actually buy and read your book. To anyone sighing because "no one ever looks at the back cover," we ask: how many times have you bought a book without reading its description?

Practical elements

Let's get all of the less glamorous practicalities out of the way first, starting with the ISBN. An ISBN is a unique, 13-digit code used to identify a book, usually found just above the barcode at the bottom of the back cover.

Traditionally published books will also display the publisher's logo towards the bottom of the book's back cover. 

Marketing materials 

The most important feature of a book's back cover is the blurb — a short description to tell readers what it's all about. It shouldn't be a lengthy synopsis, and nor should it contain any spoilers, but it should make your readers curious about the pages between the covers.

Another great way to draw in new readers is a positive review from another author in your genre, especially if you've not already got a testimonial on your front cover or if this is your first book. Many authors also add a personal touch. A short author biography and headshot is standard — especially in nonfiction. 

Flaps: the hardback's special feature

Your book's cover will look a little different if you're publishing a hardback. Hardbacks usually have dust jackets — a removable cover printed on thick, heavyweight paper. Some features usually found on the back cover may be relocated to the dust jacket's back panels (or flaps). 

There aren't really any hard and fast rules — the author's photo and bio are the most common choices for the flaps, but they can also house a book's blurb or some testimonials. 

The exterior design of a book is one of its most important features so getting it right can feel a little daunting at first. But, now that you’ve got a solid grasp of its various elements — you know what it takes for a cover to truly work . If you want a professional cover for your next book, be sure to check out Reedsy's network of experienced book designers.

Give your book a professional cover

The industry's best cover designers are on Reedsy. Come meet them.

Learn how Reedsy can help you craft a beautiful book.

Join a community of over 1 million authors

Reedsy is more than just a blog. Become a member today to discover how we can help you publish a beautiful book.

Get an eye-catching book cover

Request quotes from 200+ of the most talented cover designers in the industry.

1 million authors trust the professionals on Reedsy. Come meet them.

Enter your email or get started with a social account:

Want help with your author marketing? Get our FREE ebook and cheat sheet: 6 Steps To Getting More Readers.

By subscribing, you agree to get emails from me, Matt Ziranek. I’ll respect your privacy and you can unsubscribe any time.

Back Cover of a Book: Must-Haves & Examples

Finishing your manuscript is a massive accomplishment, almost a complete victory.

But so much must be done to ensure that all your efforts weren’t for nothing. You need readers to buy your book!

And you can’t stand in the bookstore or pop out on the side of Amazon’s book page to try and convince the reader that they’ll love this book. 

Your book’s back cover is one of the tools that will do that for you.

That means a lot is riding on creating the perfect back cover. But not to worry, we’ve compiled a beginner’s guide to creating a back cover of a book that wows. And we’ve included 16 examples to show how successful ones are done. 

Importance of The Back Cover of a Book

The back of a book cover can make the difference between increasing book sales and losing the reader’s interest.

Your back book cover together with the front cover must make a convincing sales pitch to the reader.

The front cover or the spine of the book must attract the reader. Once you have their attention, they’ll flip over the book and that’s your chance to persuade them to buy it.

To get the reader to buy your book, or at least open it to chapter one, your book’s back cover needs to tell a story:

• What the book is about (using a book blurb)
• Why it’s worth reading (using book reviews)
• Why this reader in particular will want to read it (using enticing copy and targeted keywords)

This is a book promotion tool that’s as important as author newsletters , your social media posts, or book trailers .

What Goes on The Back of a Book

The back cover usually has the elements listed below. Some elements may be omitted based on what you want to convey about your book. 

Once you understand the roles each of these components plays, you’ll have a better idea of what serves the best purpose on the back cover of your book.

Book Reviews

Awards and past work, isbn and barcode.

• Publisher Details 

This is a one-liner that stands out the most on the back of a book. This appears at the top, ensuring that it’s the first thing the reader sees.

The tagline is usually written differently to make it pop. For example, it could be bolded, a different color, larger in size, or italics.

Examples of a tagline:

Descriptive

A brief descriptive sentence that teases at the main theme, conflict, or (in the case of non-fiction) problems being solved by the book.

For example:

“No one’s ever told Eleanor that life should be better than fine.” Eleanor Oliphant Is Completely Fine by Gail Honeyman

A brief line that uses keywords from the genre to target ideal fans.

“Lethal. Loyal. Legendary.” Throne of Glass by Sarah J. Maas

A quote from a professional book review that will intrigue the reader while explaining the book’s hook.

“The greatest romance story of this decade. –Entertainment Weekly” Fault in Our Stars by John Green

From a Scene

A line from the book that makes the reader feel as if they’re dropped right into the action.

“He needs my help, but he’ll be my downfall.” A Prince So Cruel by Ingrid Seymour

Note: The tagline can be between 5 to 50 words, so use them wisely!

This is a description that tells the reader what the book is about without summarizing the plot or giving away any spoilers.

It lets the reader know what to expect.

Your book blurb is kind of like the text version of a book trailer. Just like a trailer, it will highlight the compelling parts of your story.

The best way to go about writing your book blurb is to keep the target reader at the front of your mind. Consider what the reader will be excited to see from your book.

If you need tips on writing a book blurb, check out our blog: How To Write a Compelling Book Blurb (+15 Examples) .

Readers are more likely to believe that your book is good if someone noteworthy praises it.

Pick a stellar testimonial from another author (preferably from your genre) or a publication to give your book credibility.

Avoid adding reviews that say, “I loved it!”

Rather choose reviews that praise a specific part of your book like your writing capability, the characters, the premise, etc.

Take a review on the cover of All the Broken Places by John Boyne for example: 

“Exceptional, layered and compelling…This book moves like a freight train.” Review by Amy Bloom, New York Times bestselling author of In Love

The number of reviews you use will depend on what you want the back cover of your book to convey. Some back covers only use reviews, while some have it in the tagline or at the end of the blurb.

But if you don’t have a publication or notable author to turn to, you can use your best customer review.

If you want to know more about getting endorsements, check out our blog: Professional Book Review: The Ultimate Guide .

Your book’s back cover can also mention any awards and achievements you’ve received that add credibility to your book. You could even include if your books have only been nominated.

Also, add any previously published work. The reader may notice a previous title making them lean towards getting your new release.

Adding your past work will also signal that you have staying power as an author.

Sometimes the back cover of a book will include an author bio, and for some authors, this can seem like the hardest thing to write.

While you don’t need to share your favorite color or that you like long walks on the beach, you do need to let the reader get to know you a bit.

Your author bio shares the credentials, writer’s journey, other works, etc. And it is way more streamlined than something you’d find on the author’s website .

Want To Give Your Readers An Engaging Online Experience?

Get an author website that showcases your books, grows your list, and attracts publishers and promoters.

But does every author need one for their book?

Not necessarily.

If you write fiction, it won’t be the end of the world if you don’t add it. But if you write non-fiction including a bio can help build trust with the reader.

In that case, a bio will show why you are qualified or have the experience to have written your book.

Note: When adding your author photo alongside your bio, make sure it both matches your personality and your book’s genre. Be sure to use a professional photo that has been taken more recently.

Your book’s ISBN (International Standard Book Number) is a number that is used to identify your book. The accompanying barcode is the scannable version of this number.

They’re created by the publishing or self-publishing company. Unless you’re using Amazon, you may have to pay for it in the case of self-publishing.

Note: When getting your book printed, the printing company will have a set requirement for where this number and barcode will go, so keep that in mind when arranging the elements on the back cover of your book.

Publisher Details

The reader won’t be eagerly flipping over your book in search of the publisher’s information, but it needs to be on the back cover of your book nonetheless.

Note: The publisher’s information and logo are low priority so make sure they’re in smaller text.

Tips For Designing Your Book’s Back Cover

Follow the below tips to level up your book back cover design:

Do some research

We recommend doing research in your genre to see what unique styles you could try for your own back cover design.

When analyzing the covers, look at the positioning of the blurbs and reviews, and take note of how a story is told from the front cover to the back. 

Keeping both covers consistent will make your book tell a complete story without the reader even reading a word.

Prioritize layout

It may sound fun to create a wacky book cover, but you could end up creating a confusing mess that’s hard to decipher.

It’s okay to color out of the lines a tad bit, but don’t go overboard! The goal is to avoid a cluttered book back cover and ensure the text is easy to read.

You can achieve this by using clear fonts, an uncomplicated color scheme, and giving the content sufficient space to breathe.

The reader should be able to grasp some information at a single glance. After that glance, if they’re interested, they’ll keep reading.

Use style to tell a story

Your front and back covers don’t need to be designed the same to be cohesive. The front and back covers are not twins, they’re sisters.

For starters, you could use similar borders or related elements. For example, if you’ve written a mystery novel you could have one big puddle of blood on the front and smaller splatters on the back.

Consider the atmosphere and tone that you want the reader to feel and use the appropriate fonts, colors, and design elements to communicate that.

Use copy to sell the book

What you can’t say through design, you’ll say through words.

There’s an art to writing copy that compels a reader to open your book. You have to say a lot in as few words as possible.

Make sure each piece (your blurb, reviews, and bio) serves a purpose that discusses something different from the last. The reader should come away with an understanding of the premise and excitement to keep reading.

DIY – Doing It Yourself

When self-publishing, you can get templates from book cover printers to insert your designs into or you can use software like Canva or Adobe Creative Suite to design the back cover of your book.

Hire somebody

If you lack the time or design prowess to create a back cover for your book, you can simply hire a professional.

It will save you a lot of time and effort, just be sure to research which designer meets your budget and needs.

Don’t forget the book’s spine

When a reader is browsing a bookstore or library, they’ll most likely see the spine of your book first.

Therefore, the spine of your book needs to continue the same story as the rest of your book cover.

Your spine should include the same color scheme, fonts, and design elements as your cover. Everything will be minimized and sideways, so make sure it is easy to read from an angle.

Here’s the information that could be found on your book spine:

• Title of the book.
• Full Author name (If the book is long enough, the author’s first and last name), or
• Shortened Author name (If the author’s name is too long, the spine will have an initial and the last name).
• Publisher’s logo.
• Book series number.

Back Cover Of A Book Examples

As promised, below are 16 examples you can use as reference when designing the back cover of your own book. 

We’ve included the front cover too so you can see the full design story!

1. Romance Genre

Icebreaker by hannah grace.

Curvy fonts and cool colors create the right atmosphere in this Romance example. 

Text is given plenty of room to tell its story with the use of adequate spacing, plus the artwork of the main characters breaks up the pattern of the text too.

With a few pops of orange and bolder text, the back cover draws the reader’s eyes from one point to the next. The author bio is the last thing the reader will notice, as intended by the designer of this book’s back cover.

2. Non-Fiction Genre

Stop overthinking by nick trenton.

This book’s back cover follows the theme of this book, practicing what it preaches. It avoids clutter and uses text that is super clear to read.

It’s easy to start skimming through the content because of this, and only one point is highlighted on the back cover, “Stop Overthinking,” which reiterates the topic of the book.

3. Thriller Genre

The new couple by alison james.

We love this back book cover because the blurb is written from the main character’s perspective. It immediately pulls the reader into the story.

The tagline appears on both the front and back cover of the book, but it serves to cement the premise of the book making sure the reader won’t forget it.

Lastly, the yellow text at the bottom continues speaking directly to the target reader, mentioning other popular books in the sub-genre similar to this one. If a reader has loved those books, they will be more likely to buy this one.

4. Sci-Fi Genre

Recruitment by k. a. riley.

Streamlined is the name of the game for the back cover of this book.

Targeting Sci-Fi lovers is the main aim here, so the tagline just states the year the book is set in.

Although it doesn’t tease the story, it’s still effective in attracting the reader because the blurb is short and discusses the premise in enough detail.

5. All in one (Fantasy Genre)

A court of thorns and roses by sarah j. maas.

This fantasy example has it all: the accolade in the tagline, the well-written blurb, the decorated author bio, and the enthusiastic endorsements.

The back cover of this book is stacked with information yet it all feels easy to skim read because the content is sectioned off.

The back cover cleverly mentioned the author’s name and credibility multiple times. It clearly aims to promote the book using the author’s name. It’s trying to say: 

“If you’ve heard of her, you should definitely check this book out!”

6. Children’s Genre

Children who dance in the rain by susan justice .

We love the design of this example. Since it’s a children’s book, it sells the art style first and foremost and gets creative with the design of the text.

Although the reviews are on top of white backgrounds, the text doesn’t look out of place and rather just adds to the innovative nature of the cover.

Endorsements are highlighted from the front to the back cover, showing parents that this book is worth reading since it is worthy of awards!

7. Consider the Reader

The clockmaker’s daughter by kate morton.

The layout of this cover considers the target readers in every decision made.

Equal importance is given to each component, enticing the reader to read all of it from top to bottom.

The tagline reveals the setting and genre efficiently, and the praises for the author solidify it.

Although the front and back covers don’t share a similar background, the font and leaf design elements are used to connect the experience.

8. Use endorsements

None of this is true by lisa jewell .

Lisa Jewell’s back cover aims to convince readers to buy the book through reviews by respected authors.

It leaves the reader thinking, “Well if they couldn’t put this book down, then maybe I wouldn’t be able to either.”

The names of the authors are contrasted to the reviews using a slightly different font and yellow text. 

And it also has the largest review near the top, with varying sizes as the reader’s eyes go down the cover. This keeps the cover from being dull and hard to skim through.

9. Taglines

The only woman in the room by marie benedict .

In the above example, the tagline is split up and integrated into the blurb but if it’s all read together, it tells the story briefly for anyone skimming the back cover of the book.

The taglines are capped by reviews to complete the experience.

Not to forget the addition of Marie Benedict’s past works at the bottom left of the book’s back cover. It reminds readers of her other popular novels.

10. Past works

November 9 by colleen hoover.

A total of 3 font colors are used for the back cover of this book, yet it doesn’t look busy or cluttered.

The lighter colors surround the blurb, keeping it the center focus. This encourages the reader to read the taglines and still be interested in reading the blurb and author bio.

Speaking of Colleen Hoover’s author bio. It lists so many popular past books for fans and newcomers to be impressed by.

We love this addition because if a fan forgot that you’re the one who wrote a book they loved, they’ll be reminded. This will increase your chances of selling your new release. 

11. Continue the Style Story

Lightlark by alex aster.

With an entertaining front cover, it can be hard to decide what to do with the back cover.

Lightlark shows us that with the same font, colors, and a recurring design element, it can be done!

This book’s back cover continues the story by using the same border, but flipping it so it doesn’t look exactly the same as the front.

The fades from tinged-orange to yellow-gold on top of a sleek black background keep the front and back covers connected.

The cover has 2 taglines large and in charge of drawing the reader in. What seals the deal is the mention of the second book in the series, making the reader aware that there’s more to come.

12. About The Author Example

Self-love workbook for women by megan logan .

We love how fun and colorful this cover is – and it fits the book’s theme so well!

Highlighter-like taglines and bullet points give this back cover even more spunk. This highlighting style makes it feel like it’s the reader’s notebook, emphasizing that the book is about working on one’s self.

But what gives this book an extra edge is the authority the author has in her field. The author bio showcases the author’s expertise, letting the reader know that if there was anyone they should listen to about self-love, it’s this author.

13. Author Branding

The gifts of imperfection: 10th anniversary edition by brené brown.

This is the 10th-anniversary edition of this book, so that means it was pretty well received.

But there are 8 billion people in the world, so not everyone would’ve heard of this book – and the covers try to make up that ground.

The back cover of this book uses the author’s branding to sell the book. Even though the author bio is at the bottom, it feels as if we’re being told about Brene Brown’s efforts for this book at every turn.

But the author’s bio reveals more about her decorated past than the blurb, discussing her achievements, past works in other industries, and experiences.

14. Minimalism

The food lab by j. kenji lópez-alt.

Plain doesn’t have to mean boring. 

There’s a lot of content on this page which would otherwise be overwhelming. But with the use of bronze borders, content is neatly sectioned and given space. 

Instead of a tagline, at the top lies the blurb in a newspaper or magazine type of column. The main selling point is centered within a box: the reviews. This is a great way for the author to build trust with the reader.

15. Artwork

The zen monkey and the lotus flower by tenpa yeshe.

Text is simple, big, and bold on this back cover. But the main attraction is the art.

The artwork of this book reiterates the title, reinforcing it in the reader’s mind.

The balance of artwork and text upholds the book’s theme too. And the art is a great feature of the book, making it hard for a reader to look away.

16. Creative Layout

The science of spice by dr. stuart farrimond .

You can use your book’s genre and theme to come up with unique ideas for the back cover of your book. 

Above is a fantastic example of how to do this.

Ingredients sit within boxes labeled by chemistry-like symbols. The text on the back cover of the book uses copywriting techniques to call out to the reader and persuade them that this book is for them.

Back Cover Of A Book Template

Follow any one of these templates below to craft your dream back cover for your book.

Promotion Doesn’t Stop There

Creating the perfect back cover of a book doesn’t mean it’s all smooth sailing from there.

If only it was as simple as publishing your book and watching the sales come in. That’s the dream, right?

Life isn’t that simple, so book promotion isn’t that simple. 

You need everyone and their mothers to hear about your book, and in today’s digital world, the best way to do that is by spreading the word online.

If you’re looking to improve your online presence you need an author website. An author website helps readers, publishers, and other industry professionals find you easily online.

We love working with authors, so fill in this inquiry form and we’ll see how we can help you.

Similar Posts

The Best Ways To Build An Epic Author Platform

How To Write A Book Teaser (Plus Inspiring Ideas & Examples)

12 Easy Ways To Get More Speaking Engagements

How to Write An Author Bio That Attracts Readers 

Finding the Perfect Literary Agent For Your Book

An Author Newsletter Readers Will Love (Tips and Examples)