| | The use of “epitome” is a sophisticated without being overly complicated |
The phrase “a shadow if its former glory” uses vocabulary successfully to develop the description | ||
| The image of the lively house is contrasted with the word ‘dead’ to add emphasis | |
The focus on time adverbials emphasise the change e.g. “now”, “no longer” and “once” |
Use a range of vocabulary and sentence structures for clarity, purpose and effect, with accurate spelling and punctuation |
| | The separation of the clauses using a semi-colon in this long sentence is effective as the second phrase directly builds on the first |
Below is an example of a full-mark Level 4 model story:
|
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Sam is a graduate in English Language and Literature, specialising in journalism and the history and varieties of English. Before teaching, Sam had a career in tourism in South Africa and Europe. After training to become a teacher, Sam taught English Language and Literature and Communication and Culture in three outstanding secondary schools across England. Her teaching experience began in nursery schools, where she achieved a qualification in Early Years Foundation education. Sam went on to train in the SEN department of a secondary school, working closely with visually impaired students. From there, she went on to manage KS3 and GCSE English language and literature, as well as leading the Sixth Form curriculum. During this time, Sam trained as an examiner in AQA and iGCSE and has marked GCSE English examinations across a range of specifications. She went on to tutor Business English, English as a Second Language and international GCSE English to students around the world, as well as tutoring A level, GCSE and KS3 students for educational provisions in England. Sam freelances as a ghostwriter on novels, business articles and reports, academic resources and non-fiction books.
Need a better way to practise writing? Below, you’ll find 5 image-based descriptive writing prompts which are a great way to go!
If you’re studying creative writing, you’ve probably heard of them and might have even used them by now! If you’re a non-fiction writer or just an everyday writer, especially if you’re just getting started, this might be a new thing for you – but it is definitely a thing!
Every writer gets inspiration from different sources. It could be a neighbour, a friend, a local event, a tragedy, a painting, or even music and a particular song. It’s the same with images and photos – it can spark your creativity in no time!
Before we get into how image-based descriptive writing works and give you a couple of assignments, make sure you check our online English school where you can find courses like these:
Basic Descriptive Writing
Advanced Descriptive Writing
AQA GCSE English Language Paper 2
An interesting photo, or the one that is deceptively simple – is an inspiration. This could literally be any photo that catches your eye – whether you found it online or in your personal belongings.
What is the main focal point? Is it the background or foreground? What about colour, light, and all other small details?
A story might start, whether it is just a couple of sentences or a few words. Try imagining you’re explaining that same photo to a friend, but the friend is unable to see it – what would you say to them?
In journalism, there is a “Five W’s + H” rule, meaning that you should answer these questions: who, what, when, where, why and how, and it can be really helpful if you don’t know where to start as this gives you a direction to follow.
So, keep on writing and then edit later – it all depends on your purpose. If you think you’re onto something, keep going, see how the story develops. But even if you set it aside for another time, it’s a never wasted effort.
Task: What can you see? What do you think has happened/is happening/will happen? Where did the house come from? How do you think it got here? Why is it surrounded by all of the bricks? Who is the woman inside the house? Why is she looking out of the window? What might she be thinking?
There are so many ways to practise and improve your writing, so check our post on Descriptive Writing Prompts to get more ideas!
Task: Using the image above as an inspiration, write a creative piece in which you describe a day in nature.
Task: Who is this girl? How old is she? What is she doing, alone, in a cafe? Who do you think she’s texting? Does she look sad, or happy, or worried to you?
Task: You’re sitting across this building. Imagine and create a life for a couple of people living there.
For the last task, pick a random photo from your phone or a computer; some that you’re fond of and describe what it is about.
Do you want some tips on how to write more vividly? Check out this post that has all the answers you’re looking for!
Thanks for reading! If you found this useful, check our online English Language and Literature school where you can find a variety of courses that will help you enhance your English skills and grades!
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by Hayley | Mar 9, 2023 | Exams , Writing | 0 comments
Are you feeling a little bit twitchy about your child’s English GCSE writing task?
Sciences and humanities – although sometimes daunting in their content – seem a fair bet as ‘revisable’ topics. But the creative writing element of the English Language GCSE is less knowable and ultimately more of a frightening prospect for a student keen to do well.
We run a weekly online writing club which prepares students to write high-scoring content. Our “Higher” level club is designed to transform your writing so that you can ace the GCSE language paper.
There are 5 key GCSE exam boards: AQA , OCR , Pearson Edexcel , WJEC Eduqas and CCEA . Each board sets their own papers which may appear much the same at first glance (bizarrely they all have a similar front cover layout and fonts). Certainly there is plenty of overlap between their mark schemes and the comments and tips they share in their Examiner Reports.
However, as with all your child’s other subjects, it is essential to know which exam board they are preparing for. You may be surprised to discover that schools pick and choose boards by subject, perhaps choosing AQA for chemistry and OCR for mathematics. Individual school departments have their own preferences. My brother teaches at a school where their English Literature and English Language exams have been split between two different boards. This is unusual though, not the norm!
It varies by board.
The AQA board has a writing task in their Question Paper 1 called Explorations in creative reading and writing . Students are given two prompts to choose between. The AQA board also has a second persuasive writing task in Paper 2 called Writers’ viewpoints and perspectives.
Jump ahead to AQA creative writing and persuasive writing prompts from past GCSE papers
The Pearson/Edexcel international iGCSE favoured by many UK private schools has two prompts to choose between for each section. The student is asked to complete a piece of transactional writing (perhaps a persuasive speech or an advertisement leaflet) and additionally a piece of imaginative writing.
Jump ahead to Pearson/Edexcel transactional writing and imaginative writing prompts from past GCSE papers
Interestingly, the WJEC Eduqas board favours non-fiction writing. Unit 2 Reading and Writing: Description, Narration and Exposition gives two prompts to choose between, for an account and an essay perhaps, and Unit 3: Reading and Writing: Argumentation, Persuasion and Instructional sets up a letter, or similar.
Jump ahead to WJEC Eduqas non-fiction writing prompts from past GCSE papers
The OCR board offers two prompts to choose between. One might be a talk for other students and the other might be a letter on a difficult subject .
Jump ahead to OCR creative writing prompts from past GCSE papers
The CCEA board has a writing task in called “ Writing for Purpose and Audience and Reading to Access Non-fiction and Media Texts” and a second writing task which offers a choice between personal writing and creative writing.
Jump ahead to CCEA persuasive writing, personal writing, and creative prompts from past GCSE papers
Creative writing tests are timed at either 45 minutes or 1 hour. The last thing your child will need is to prepare to write for an hour, only to find they have just three-quarters of an hour on the day. If in doubt, insist that they check with their teacher.
AQA students are given 45 minutes to produce their writing response. The introduction advises: ‘ You are reminded of the need to plan your answer. You should leave enough time to check your work at the end.’ What this means is that 30–35 minutes max is what’s really allowed there for the writing itself.
Pearson/Edexcel allows 45 minutes for each of the two writing tasks.
OCR students are given an hour to complete this section of their exam. The introduction states: ‘You are advised to plan and check your work carefully,’ so they will expect the writing itself to take 45–50 minutes.
Interestingly, although the mark schemes all refer to paragraphingthey don’t state how many paragraphs they expect to see.
‘A skilfully controlled overall structure, with paragraphs and grammatical features used to support cohesion and achieve a range of effects’ (OCR)
‘Fluently linked paragraphs with seamlessly integrated discourse markers’ (AQA)
Why? Because management of paragraph and sentence length is a structural technique available to the student as part of their writers’ toolkit. If the number of optimal paragraphs were to be spelled out by the board, it would have a negative impact on the freedom of the writer to use their paragraphs for impact or to manage the pace of the reader.
For a general guide I would expect to see 3 to 5 paragraphs in a creative piece and 5 paragraphs in a persuasive piece. Leaflets have a different structure entirely and need to be set out in a particular form to achieve the top notes of the mark scheme.
There are two assessment objectives for the writing itself:
As a GCSE English nerd, I really enjoy delving deeper into the Examiner Reports that each board brings out once the previous cohort’s papers have been marked. They are a fascinating read and never disappoint…
Within their pages, examiners spell out the differences they have spotted between the stronger and the weaker responses.
For example, a creative task set by the AQA board was to describe a photograph of a town at sunset. The examiners explained that some of the strongest responses imagined changes in the scene as darkness descended. They enjoyed reading responses that included personification of the city, and those that imagined the setting in the past, or the weariness of the city. Weaker candidates simply listed what was in the picture or referred directly to the fact it was an image. This chronological-list approach weakened the structure of their work.
No surprises that some weaker students relied heavily on conversation. (As an exam marker myself, I dreaded reading acres of uninspiring direct speech.)
Pearson/Edexcel explain that weaker persuasive pieces (in this case on the value of television) simply listed pros and cons rather than developed ideas fully to clarify their own opinions. The higher-level responses here were quirky and engaging, entertaining the reader with a range of appropriate techniques and making the argument their own.
The UK Government’s Guide for Schools and Colleges 2022: GCSE, AS and A Levels includes information about changes to assessments to support ‘disabled students.’ Their definition of disabled includes specific learning difficulties (dyslexia, dyspraxia, ADHD, ADD, ASD etc).
Exam boards can make a wide range of adjustments to their assessments. Some of the most common adjustments are:
The exam board will expect paperwork to be in place where your child’s specific needs are formally reported by an appropriate professional (Educational Psychologist, Clinical Psychologist, Consultant). The report needs to be recent, but how recent is difficult to confirm.
If your child is likely to need adjustments to their access arrangements you will need to discuss this with their school in plenty of time before the exam itself.
A close friend of mine realised in the final few weeks before her son’s GCSE exams that his tinnitus would have a negative impact on his performance. She approached the school to ask if he might take his exams in a separate room to minimise noise disturbance. Unfortunately, it was far too late by then to apply, and her son was denied the request.
Your child’s school will explain the process for applying for special arrangements and will be able to advise you on what your expectations should be. Never presume your child will be given what they need – but plenty of requests are successful, so stay positive and make sure your paperwork is in order beforehand.
1. learn the formats.
Know the different formats and conventions of the different GCSE writing tasks. There is a standard layout for a leaflet, for example, where including contact details and a series of bullet points is part of the mark scheme. Not knowing these conventions will knock back a student’s score.
Prepare a planning structure for each of the written forms you might encounter during the exam. It may need to be flexed on the day, but it will banish fear of the blank page and allow you to get started.
Familiarise yourself with appropriate sentence-openings for each type of GCSE writing task. Fronted adverbials of time and place will improve the quality of a creative piece, whereas access to varied and specific conjunctions might push up the mark of a transactional piece.
Ask your family to check your speech at home. Every now and then try to flip a sentence into formal language, using more interesting synonyms for your usual spoken vocabulary. This will help you to write formally on paper, avoiding colloquialisms.
Finishing is less important than you might imagine. Sloppy, hurried work is your enemy. GCSE examiners will follow your clear planning and mark you accordingly, even if you’ve not managed to complete that final paragraph.
The question often gives additional information the examiner would like to see included. Note it in your plan to make sure it doesn’t get forgotten.
Use your best sentence-opener at the start of each paragraph. It will set you up as someone to be taken seriously.
Keep dialogue contained in a single paragraph. Focus on description of the speaker and their actions before noting the second character’s reply.
Do this by prepping work as above. Nothing beats it.
Each week in my higher writing club , we spend 20 minutes on Zoom together. After the task has been introduced, the students write for 15 minutes. Next, they upload their work for 1:1 video marking.
There is no point prepping essays/creative pieces for the GCSE English Language exam if your child’s writing is poor. First, their scruffy presentation, attention to detail, punctuation, grammar and vocabulary need to be addressed.
After 2 months in the higher writing club your child’s written technique and fluency will be transformed by our 1–2-1 video marking system (consistent messaging is achieved by matching your child with their own teacher).
Each weekly activity is drawn directly from the GCSE English Language Subject Content and Assessment Objectives , published by the English Department of Education.
Here’s an example of a student’s writing, BEFORE they joined our club:
It is chaotic, poorly-presented and nonsensical. Letter-sizing is confused and the student is clearly anxious and repeatedly scribbling through small errors.
Below is the same student 2 months later:
Observe the rich vocabulary, authorial techniques (the jagged rocks are ‘like shards of broken glass’) and general fluency and sophistication.
Aqa english language gcse questions, paper 2 writers’ viewpoints and perspectives:.
Paper: communicating information and ideas.
Paper 1: transactional writing.
Unit 2 reading and writing: description, narration and exposition.
Unit 1: writing for purpose and audience and reading to access non-fiction and media texts.
For 1–2-1 writing support for your pre-GCSE child, join the Griffin Teaching Higher Writing Club—online weekly writing classes specifically tailored to English GCSE creative writing preparation.
In just 20 minutes per week and their writing will be transformed.
Descriptive and narrative
GCSE Language
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Creative Writing Image Prompts. Uses support to help to develop pupil's responses, breaks the image down to encourage structural development. Uses Mrs Hallahan's sentence upgrade sheet.
June 30, 2020.
Resources you can trust
Two scaffolded descriptive writing tasks based on natural images. The first task is structured and encourages students to practise using imagery and literary techniques including:
The second task allows students more freedom in describing a night sky, with a supporting word bank and sentence starters.
Designed for the AQA GCSE English Language Paper 1 writing task, using an image prompt.
An extract from the resource:
Task 2 Now have a go at describing this image of a night sky. Use any of the techniques which worked well when describing the waterfall. Try to use interesting vocabulary as well. The word bank and sentence starters below might help you if you need some ideas.
incandescent: producing light
serene: peaceful
myriad: many
frigid: cold
Sentence starters
A myriad of stars …
They shine bright and incandescent …
Have you used this resource?
Pernilla Luscombe
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Though there's no formula for great creative writing, there are some strategies you can use that will make sure you're able to cross the two biggest hurdles on the day: finding something to write about and writing about it in a way that actually engages your reader..
Examples from online..., there's loads of creative writing available online, and it's always a good idea to see what other people are doing and magpie ideas from them., and remember what the great 20th century artist picasso once said: "good artists copy, great artists steal", https://medium.com/@scrbblyblog/cie-cambridge-descriptive-writing-a-level-example-the-mountain-b4ead615951f.
For all your gcse & a level english needs.
Exam Paper used: November 2021 English Paper 1 Resit (AQA)
Creative Writing
The insert and the question papers are now on the AQA website for all to download, so go ahead and do so, because the story used for the insert is brilliant; moving, eerie and very well written. If the rest of her novel is half as good, it will be well worth the buying of the book.
And so, when you look at the question paper, you get the usual questions.
All of those are relatively easy, apart from the middle two, because for those, you need BIG answers using those dreaded PEED chains .
But you have done them well before now (type in PEED into the search bar on this website and see) so all should be well. 2 pages for questions 2, 3 and 4 should be enough, or more if you can do it. Less would mean a low score and final grade.
Then you get to section B and the creative writing bit. Here it is below and what a corker it is too! Again, you get a choice. It is an either/or question, so do not do both!
That would be foolish!
Section A has all been about what we think is a ghost story, or some sort of vision, whereby we see through Rosie’s eyes, as she sees a mysterious young girl appear and through trickery of her language used, we suspect that the little girl is a ghost, or an echo of another little girl, possibly even an ancestor (left handed like she was) who has lived in that house before now and is playing in the garden.
So section B continues (as always) with the same theme and asks you to have a go at writing the same. Your teacher, if s/he is any good, should have asked you to write such as this in class, or for homework, before now, so this should be straightforward.
But just in case, here are a few pointers….
Those are just some of the ideas from my head but I am sure you have a few more.
Now, you have to plan the thing.
So, use the Power of Y (into the search bar at the top if not sure) to get you from the usual 4 or 8 things to write about up to about 24 things or more you could write about.
Then plan it as shown in that blog piece.
The planning should take no more than 10 minutes! Remember that!
Section B (other choice)
Then you get this choice…. Do not forget, you do one OR the other.
They usually give you an either/or and I will always tell my students to use the one with the picture because when you get stuck, you can look at the picture and get another idea and then continue writing, but let’s say you are the brave type and want to do this one.
How do you do it?
Write about an event that cannot be explained! (40 marks) (2-3 sides A4)
Whatever the choice is, the preparation is the same as the one with the picture.
Plan it using Power of Y and then write it, making sure you do the following: (for whichever you choose, the one with the pic, or not):
Happy writing!
Osterley Education Quality Tuition for all ages
Here are our top tips for acing any creative writing exam!
1. HAVE A BANK OF STORY PLOT LINES READY
One of our top tips for any creative writing exam, is to have a bank of easily adapted plot ideas up your sleeve. Time is precious in an exam and you need to spend minimal time thinking, leaving you with the maximum amount of time to crack on with your writing!
2. DON'T MAKE YOUR PLOT LINES COMPLICATED
Don’t make your plot too complicated- only one thing needs to happen- just DESCRIBE ONE TEN MINUTE MOMENT. If your story was turned into a film, it would be a 10 minute scene, not a 2 hour film! Keep it simple!
3. DESCRIBE DON'T EXPLAIN
This point carries on from point 2. When you have a complicated plot then you end up explaining and summarising. What any teacher or examiner wants to see in a story is description. One moment described very slowly, in lots of detail.
4. DON'T BE AFRAID TO 'MAGPIE' IDEAS
'Magpieing' is a phrase that teachers use to describe using other people's ideas for story writing. Authors do it all the time! Nothing needs to be original! If you hear a great phrase in a book that you are reading, use it in a story!
5. SHOW DON'T TELL
'Show don't tell' is phrase that teachers use all the time, when teaching creative writing. It means, don't TELL me that the character is nervous; SHOW me that they are nervous by describing their sweaty palms and butterflies flutterin g in their tummy.
6. PAINT A PICTURE IN THE READER'S MIND
If you write a simple sentence such as, 'The man walked down the road', you will conjure up different images in different reader's minds! Is it a tall man or a short man? Is he walking angrily or happily? Add description to paint the same picture in the reader's mind, as you have in your own!
7. USE POWERFUL VERBS
The difference between an ok story and a great story, usually comes down to verb choices. Every sentence must contain a verb, so why not use powerful verb choices! For example, 'said' is a boring verb. Swap it for a verb such as 'mumbled' or 'screeched' to add more description!
8. PERSONIFICATION
Personification is a writing technique, where an object is described like a person. The effect is that it tells you the mood of the story- how the characters are feeling. In a happy story, the sun might be smiling but if the mood of the story is angry, the sun might be scowling!
9. SIMILES AND METAPHORS
Similes and metaphors are both types of comparisons. We use these comparisons to exaggerate a quality. Similes use the word LIKE or AS- ' He ran as fast as a racing car' or 'He zoomed like a racing car'. A metaphor does not contain like or as- 'He was a racing car zooming.'
10. ALLITERATION
Alliteration is when words near or next to each other start with the same sound. An alliterative phrase like, 'flickering, firey flames' is effective because the repetition of the F sound emphasises the sound of the fire. This is a great way to add marks in an exam!
11. ONOMATOPOEIA
We always want to describe using our senses, and onomatopoeic words describe sounds. Using sounds as verbs in a sentence, for example, BANGING, CRASHED, RUSTLING, SCREECHED, is a great way to add extra marks in a creative writing exam.
12. AVOID REPETITION
Avoid repetition! Make sure that you vary the first word in every sentence- sometimes start with a verb, sometimes start with a preposition, sometimes sart with an adverb... Do NOT always start with He/ She/ The! Also, vary your sentence length- some short, some medium, some long.
13. GREAT WAYS TO START A STORY
Think carefully about the first sentence in your story, and more importantly the first WORD! Do not start with ‘Once upon a time’ or ‘One day’. Starting with a subordinating conjunction like ‘As’ or ‘While’, is a great way to open a story as you are instantly giving the reader additional information to paint a picture of the scene in their minds.
14. PREPOSITIONS
Use prepositions in your sto ry- particularly at the start of sentences. Prepositions are words that tell us WHEN or WHERE. Prepositions that show where, are particularly good when describing a setting. It allows you to be precise and to paint a picture in the reader's mind.
15. AVOID DIRECT SPEECH
Do not overuse direct speech- it tends to explain rather than describe. Direct speech can be a great way to start a story and it is effective in establishing relationships between the characters- but use it no more than twice. You will get a mark for correct punctuation but don’t waste dozens of lines on one mark!
16. USE THE ACRONYM MAPSO
Use the acronym MAPSO as a checklist to ensure that you have used a variety of techniques in your story. There are lots of acronyms out there, but I like MAPSO the best- it’s short, easy to remember and covers the 5 most important techniques- Metaphor, Alliteration, Personification, Simile, Onomatopoeia.
17. DESCRIBE ACTIONS NOT FEELINGS
Avoid using these phrases in a story- they FELT, they THOUGHT, they WONDERED, they REALISED, they DECIDED… all of these phrases TELL the reader and what we want to do is SHOW. The reader is able to work out for themselves what the character is thinking and feeling from the description of their ACTIONS.
18. WHO/ WHERE/ WHEN/ WHAT/ WHY/ HOW
By the end of the first paragraph, make sure that the reader has an idea of WHO your character is, WHERE they are, WHEN it is (time of day/ season), WHAT they are doing when the story begins, HOW they are doing it (the mood) and WHY (it does not matter what order you put this information in).
19. PLANNING
The key thing is to keep your plan short- spend no more than 2 minutes- it doesn’t matter if your plan is messy and you shouldn’t write in full sentences. A five part plan is ideal (just a few words for each section) as 5 paragraphs is about the right length for a story written in a half hour exam.
20. CHECK SPELLING AND PUNCTUATION
Always leave yourself a few minutes at the end of the exam to check for silly mistakes!
Subject: English
Age range: 14-16
Resource type: Assessment and revision
Last updated
1 June 2020
This is a collection of GCSE English language paper 1 writing resources. These are assessment style activities, developing a students creative writing skills by drawing on their experience of unusual times and challenging circumstances. Channel your students creativity by using these resources to discuss their experiences and develop them into something more spectacular, which they can relate to the skills required for the GCSE English language paper 1 exam.
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IMAGES
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Revision notes on Paper 1 Question 5: Creative Writing Model Answer for the AQA GCSE English Language syllabus, written by the English Language experts at Save My Exams.
Need a better way to practise writing? Below, you'll find 5 image-based descriptive writing prompts which are a great way to go!
Image Prompts - Descriptive Writing - Language Paper 1, Q5. A set of 15 images each with adjectives, verbs, descriptive techniques and sentence starters to use. All images found via a Google image search and belong to their respective owners. Thank you!
Are you feeling a little bit twitchy about your child's English GCSE writing task? Sciences and humanities - although sometimes daunting in their content - seem a fair bet as 'revisable' topics. But the creative writing element of the English Language GCSE is less knowable and ultimately more of a…
AQA: Paper 1 Question 5 Ready to let your imagination run free? Question 5 is the perfect place to let your creative skills take over.
In this chapter, you will explore the techniques that make the very best creative writing, in the form of narratives or descriptions, come alive.
Section B: Writing You are advised to spend about 45 minutes on this section. Write in full sentences. You are reminded of the need to plan your answer. You should leave enough time to check your work at the end. Your local library is running a creative writing competition. The best entries will be published in a booklet of creative writing.
Question paper (Modified A4 18pt): Paper 1 Explorations in creative reading and writing - November 2020. Published 18 Jan 2022 | PDF | 1.3 MB. Question paper (Modified A3 36pt): Paper 1 Explorations in creative reading and writing - November 2020. Published 18 Jan 2022 | PDF | 2.3 MB.
AQA 8700/1 GCSE English Language - Creative Writing Image Revision Cards. Subject: English. Age range: 16+. Resource type: Worksheet/Activity. Examiner created, trialled before posting and always update with any changes.
Description Creative Writing Image Prompts. Uses support to help to develop pupil's responses, breaks the image down to encourage structural development. Uses Mrs Hallahan's sentence upgrade sheet.
Practice descriptive writing skills for AQA English Language Paper 1 with this scaffolded resource. Use a word bank and sentence starters to describe an image of a waterfall and a night sky.
In this post I will concentrate upon the AQA English GCSE Paper 1.The step-by-step guide to question 5, the writing question, is an example of embedding in the students' brains a metacognitive process for tackling the 40 mark writing tasks. It will not, necessarily make them better writers; however, what it does is help them demonstrate their writing at its best when under pressure in the ...
A set of 22 vivid photographs to be used as inspiration for descriptive, narrative or discursive writing. The pictures are open to interpretation and can be used in multiple ways. The resource includes a brainstorming template for students to use to organise their initial ideas. The download includes both a PPT and PDF version of the images and ...
Paper 1:Creative Writing. Paper 1: Creative Writing. In the exam you're normally given two options: a descriptive piece or a narrative piece. Neither is worth more or less than the other so it's up to you to choose which suits you best. Though describing the same thing for 45 minutes can see a little tough, I'd argue that the description is ...
Creative writing picture prompts A PowerPoint of images for students to practise the option of a creative writing task based on an image in the AQA English Language GCSE.
This resource is a PDF file containing 50 original prompts and questions for teaching/practising creative writing. Each page is one 'AQA Language Paper 1, Question 5'-style question, with a choice of a descriptive or narrative response. There are a range of images, some more abstract and challenging than others, to suit students of all ...
Insert: Paper 1 Explorations in creative reading and writing - November 2022. Published 31 Oct 2023 | PDF | 189 KB. Question paper: Paper 1 Explorations in creative reading and writing - November 2022. Published 31 Oct 2023 | PDF | 1.2 MB. Question paper: Paper 2 Writers' viewpoints and perspectives - November 2022.
I have been a teacher for 28 years, a Headteacher for 13 years and, at the age of 52, this much I know about resources for teaching how to write a short story for the writing question on the AQA English Language GCSE Paper 1.
Though there's no formula for great creative writing, there are some strategies you can use that will make sure you're able to cross the two biggest hurdles on the day: finding something to write about and writing about it in a way that actually engages your reader.
The November Resit 2021 - Creative Writing! Posted on 05/02/2022. Exam Paper used: November 2021 English Paper 1 Resit (AQA) Creative Writing. The insert and the question papers are now on the AQA website for all to download, so go ahead and do so, because the story used for the insert is brilliant; moving, eerie and very well written.
One of our top tips for any creative writing exam, is to have a bank of easily adapted plot ideas up your sleeve. Time is precious in an exam and you need to spend minimal time thinking, leaving you with the maximum amount of time to crack on with your writing!
AQA Step Up to English: Creative Writing tasks. This resource consists of a series of titles linked to pictures in the style of AQA's Step Up to English Paper 2 Section B Creative Writing questions. The images are my own and you are very welcome to use them as practice questions. Complete courses and individual teaching units on all component ...
This is a collection of GCSE English language paper 1 writing resources. These are assessment style activities, developing a students creative writing skills by drawing on their experience of unusual times and challenging circumstances.